社会认知心理学:社会变化中的发展前景

T. Martsinkovskaya, D. Khoroshilov
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摘要

本文总结了流动现代性、社会不确定性和及物性条件下社会认知现象学和机制的理论和实证研究成果。其出发点是安德烈耶娃科学学派的立场,认为社会认知是在个人和公众意识中建构社会世界形象的情感和认知过程。结合文化活动心理学、社会建构主义、社会表征理论和集体情感体验理论,提出了一种新的跨学科的社会认知概念。验证了极大拓展社会认知心理学研究学科领域的新的研究方向——日常生活的社会心理学。日常生活充当了分析社会变化的主观感知和情感体验的光学,作为社会和文化的日常生活的各个领域(从新媒体到当代艺术)的不确定性情况。在日常生活的社会心理学中提出和实施的美学范式结合了两种理解、解释和预测社会变化的方式:科学-概念和艺术-形象(或视觉)。因此,美学范式综合了心理学和艺术史的科学和美学话语。在这方面,它是一种灵活的方法论策略,为现代社会和文化的多维分析开辟了前景,这些分析无法在传统的社会认知类别(例如,心理模型、分类、因果归因)中概念化。在日常生活的审美范式的基础上,为家庭心理学引入了一种新的不稳定性结构,这意味着个人和集体的情感体验,即一个人在不确定的情况下的完全脆弱性、脆弱性和不安全感。这一结构使得分析现代社会大众意识的情感状态成为可能。与此同时,研究社会变化(包括不稳定性)的情感体验的具体工具是收集、分析和解释数据的定性方法,这些方法今天统一为研究社会认知的唯一方法论方法。
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The psychology of social cognition: Prospects for development in a changing society
The results of theoretical and empirical research of the phenomenology and mechanisms of social cognition in the conditions of fluid modernity, social uncertainty and transitivity are summarized in this article. The starting point is the position of the scientific school of G. M. Andreeva, according to which social cognition is considered as an affective and cognitive process of constructing the image of the social world in the individual and public consciousness. A new transdisciplinary concept of social cognition, which integrates the principles of psychology of cultural activity and social constructionism, as well as theories of social representations and collective emotional experiences is presented. The new research direction that greatly expands the subject area of psychological investigation of social cognition — the social psychology of everyday life is verified. It is everyday life that acts as the optics of the analysis of subjective perception and emotional experience of social changes as a situation of uncertainty in various spheres of everyday life of society and culture (from new media to contemporary art). The proposed and implemented aesthetic paradigm in the social psychology of everyday life combines two ways of understanding, explaining and predicting social changes: scientific-conceptual and artistic-figurative (or visual). Thus, the aesthetic paradigm synthesizes the scientific and aesthetic discourses of psychology and art history. In this regard, it is a flexible methodological strategy that opens up the prospects for a multidimensional analysis of modern society and culture that cannot be conceptualized in traditional categories of social cognition (for example, mental models, categorization, causal attribution). On the basis of the aesthetic paradigm of everyday life, a new construct of precarity is introduced for domestic psychology, which means individual and collective emotion experience of total vulnerability, fragility and insecurity of a person in a situation of uncertainty. This construct makes it possible to analyze the affective states that characterize the mass consciousness of modern society. At the same time, specific instruments for studying the emotional experience of social change, including precarity, are qualitative methods for collecting, analyzing and interpreting data, which today unites in a sole methodological approach to the study of social cognition.
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