揭示和重建艺术调查中隐藏或丢失的特征

B. Sober, S. Bucklow, Nathan Daly, I. Daubechies, P. Dragotti, C. Higgitt, Jun-Jie Huang, A. Pižurica, Wei Pu, Suzanne Reynolds, Miguel R. D. Rodrigues, C. Schönlieb, Su Yan
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引用次数: 2

摘要

近几十年来,文化遗产研究——尤其是艺术调查——经历了一场数字革命。这是由于数字化的改进和使用传统的二维成像方法生成的工件图像的获取,以及越来越多地采用一系列最近引入的光谱成像技术。许多这样的成像方式使用的电磁辐射波长可以穿透表层,从而从隐藏的特征中无创地获得信息。不同的技术经常结合使用,以提供施工、条件和过去处理的证据。这些也可以用来描述所使用的材料,它们是如何组合的,并绘制它们的分布,从而深入了解艺术家的工作方法和理解随时间发生的变化的手段。这种丰富的数据需要算法方法的发展,以便处理和充分探索和解释它。在某些情况下,人们寻求回答的问题与其他领域所处理的问题完全不同,因此现有的现成方法无法适用。在本文中,我们讨论了使用现代成像技术在艺术调查和保护中出现的一些算法挑战。
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Revealing and Reconstructing Hidden or Lost Features in Art Investigation
In recent decades, cultural heritage research—and in particular art investigation—has been undergoing a digital revolution. This is due both to improvements in the digitization and the acquisition of artifact’s images generated using traditional 2-D imaging methods as well as the growing adoption of a range of more recently introduced spectroscopic imaging techniques. A number of these imaging modalities use wavelengths of electromagnetic radiation that can penetrate surface layers thus yielding information from hidden features noninvasively. Different techniques are often used in combination to provide evidence of construction, condition, and past treatment. These can also be used to characterize the materials used, how they were combined, and map their distribution, giving insight into an artist’s working method and the means to understand changes that have occurred over time. This wealth of data calls for the development of algorithmic approaches in order to handle and fully explore and interpret it. The questions one seeks to answer are in some cases sufficiently different from those addressed in other fields that no existing off-the-shelf approaches can be applied. In this article, we discuss a few of the algorithmic challenges that arise in art investigation and conservation using modern imaging techniques.
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