{"title":"当代波兰女性诗歌中的疾病及其隐喻","authors":"Beata Morzyńska-Wrzosek","doi":"10.17951/ET.2020.32.173","DOIUrl":null,"url":null,"abstract":"The article deals with metaphors of disease in selected contemporary Polish female poets. In focus are the portrayals of disease, its symptoms and consequences for the imperfect human body. The anthropological perspective assumed in this study, which reveals the coding of human experience in a literary work, emphasises the connections between the poetics of the work and the problem of defining individual identity. The analysis leads to the following conclusions: the poets (both in lyrical poetry and other intimist writing) usually relate to conceptual metaphors motivated by the notions of object and containment (e.g. life is a container, body is an object, body is a container); other recognizable metaphors are orientational (wpaść w wilczy dół ‘fall into the pitfall’) or grounded in the notion of fire (czuję się spalona ‘I feel consumed by flames’). By modifying classic metaphors, the poets construct new cognitive perspectives. They express the feeling of isolation from the world of the healthy and the fragility of the human body as a material “prison house”. They also make attempts to regain control over it by extending the boundaries of intimacy. By studying the esthetic and epistemological aspects of metaphors in connection with an understanding of self in a situation of irreversible loss of full physical control, of fear and of bold expansion of one’s corporality, it is possible to identify individual and cultural grounding of corporality.","PeriodicalId":217804,"journal":{"name":"Etnolingwistyka. Problemy Języka i Kultury","volume":"1 1","pages":"0"},"PeriodicalIF":0.0000,"publicationDate":"2020-12-08","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"1","resultStr":"{\"title\":\"Disease and its metaphors in contemporary Polish female poetry\",\"authors\":\"Beata Morzyńska-Wrzosek\",\"doi\":\"10.17951/ET.2020.32.173\",\"DOIUrl\":null,\"url\":null,\"abstract\":\"The article deals with metaphors of disease in selected contemporary Polish female poets. In focus are the portrayals of disease, its symptoms and consequences for the imperfect human body. The anthropological perspective assumed in this study, which reveals the coding of human experience in a literary work, emphasises the connections between the poetics of the work and the problem of defining individual identity. The analysis leads to the following conclusions: the poets (both in lyrical poetry and other intimist writing) usually relate to conceptual metaphors motivated by the notions of object and containment (e.g. life is a container, body is an object, body is a container); other recognizable metaphors are orientational (wpaść w wilczy dół ‘fall into the pitfall’) or grounded in the notion of fire (czuję się spalona ‘I feel consumed by flames’). By modifying classic metaphors, the poets construct new cognitive perspectives. They express the feeling of isolation from the world of the healthy and the fragility of the human body as a material “prison house”. They also make attempts to regain control over it by extending the boundaries of intimacy. By studying the esthetic and epistemological aspects of metaphors in connection with an understanding of self in a situation of irreversible loss of full physical control, of fear and of bold expansion of one’s corporality, it is possible to identify individual and cultural grounding of corporality.\",\"PeriodicalId\":217804,\"journal\":{\"name\":\"Etnolingwistyka. Problemy Języka i Kultury\",\"volume\":\"1 1\",\"pages\":\"0\"},\"PeriodicalIF\":0.0000,\"publicationDate\":\"2020-12-08\",\"publicationTypes\":\"Journal Article\",\"fieldsOfStudy\":null,\"isOpenAccess\":false,\"openAccessPdf\":\"\",\"citationCount\":\"1\",\"resultStr\":null,\"platform\":\"Semanticscholar\",\"paperid\":null,\"PeriodicalName\":\"Etnolingwistyka. Problemy Języka i Kultury\",\"FirstCategoryId\":\"1085\",\"ListUrlMain\":\"https://doi.org/10.17951/ET.2020.32.173\",\"RegionNum\":0,\"RegionCategory\":null,\"ArticlePicture\":[],\"TitleCN\":null,\"AbstractTextCN\":null,\"PMCID\":null,\"EPubDate\":\"\",\"PubModel\":\"\",\"JCR\":\"\",\"JCRName\":\"\",\"Score\":null,\"Total\":0}","platform":"Semanticscholar","paperid":null,"PeriodicalName":"Etnolingwistyka. Problemy Języka i Kultury","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.17951/ET.2020.32.173","RegionNum":0,"RegionCategory":null,"ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"","JCRName":"","Score":null,"Total":0}
引用次数: 1
摘要
本文探讨了波兰当代女性诗人对疾病的隐喻。重点是对疾病的描述,它的症状和对不完美的人体的后果。本研究假设的人类学视角揭示了文学作品中人类经验的编码,强调了作品的诗学与定义个人身份问题之间的联系。分析得出以下结论:诗人(无论是抒情诗还是其他内蕴主义作品)通常以客体和包容的概念(如生命是一个容器,身体是一个对象,身体是一个容器)为动机,使用概念隐喻;其他可识别的隐喻是定向的(wpaść w wilczy dół“掉进陷阱”)或基于火的概念(czujosiospalona“我感觉被火焰吞噬”)。诗人通过对经典隐喻的修饰,构建了新的认知视角。它们表达了与健康世界隔绝的感觉,以及人体作为物质“监狱”的脆弱性。他们还试图通过扩大亲密关系的界限来重新控制它。通过研究隐喻的美学和认识论方面,以及在不可逆转地失去完全身体控制、恐惧和大胆扩展一个人的肉体性的情况下对自我的理解,有可能确定肉体性的个人和文化基础。
Disease and its metaphors in contemporary Polish female poetry
The article deals with metaphors of disease in selected contemporary Polish female poets. In focus are the portrayals of disease, its symptoms and consequences for the imperfect human body. The anthropological perspective assumed in this study, which reveals the coding of human experience in a literary work, emphasises the connections between the poetics of the work and the problem of defining individual identity. The analysis leads to the following conclusions: the poets (both in lyrical poetry and other intimist writing) usually relate to conceptual metaphors motivated by the notions of object and containment (e.g. life is a container, body is an object, body is a container); other recognizable metaphors are orientational (wpaść w wilczy dół ‘fall into the pitfall’) or grounded in the notion of fire (czuję się spalona ‘I feel consumed by flames’). By modifying classic metaphors, the poets construct new cognitive perspectives. They express the feeling of isolation from the world of the healthy and the fragility of the human body as a material “prison house”. They also make attempts to regain control over it by extending the boundaries of intimacy. By studying the esthetic and epistemological aspects of metaphors in connection with an understanding of self in a situation of irreversible loss of full physical control, of fear and of bold expansion of one’s corporality, it is possible to identify individual and cultural grounding of corporality.