Jesus, Mary, and Joseph as Artisans of the Heart and Soul in Manuscript MPM R 35 Vita S. Ioseph beatissimae Virginis sponsi of ca. 1600

How and why did Catholic votaries in early seventeenth-century Antwerp allegorise the relation between the material circumstances and spiritual properties of the vita Christi? And how was this relation analogised to that between public and private zones of devotion? These questions prove crucial to our understanding of manuscript MPM R 35 Vita S. Joseph beatissimae Virginis sponsi patriarcharum maximi iconibus delineata ac versiculis ornata (Life of St. Joseph, Husband of the Most Blessed Virgin, Greatest of the Patriarchs, Portrayed in Images and Ornamented with Verses), a small octavo volume housed in the printroom of the Plantin Moretus Museum [Figs. 15.1–15.24]. The book consists of forty-six engraved images comprising two complete print series: the Vita S. Joseph [Figs. 15.1–15.5, 15.19–15.24], published and engraved by Theodoor Galle, perhaps with the assistance of his brother Cornelis and/or his son Jan, and the Cor Iesu amanti sacrum (Heart of Jesus Sacred to the Loving Votary or, alternatively, Heart Sacred to the Loving Votary of Jesus), designed, engraved, and published by Antoon II Wierix before 1604 [Figs. 15.6–15.18].1