人类世的自传。爱丽丝·门罗的地质学解读

M. Goldman
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摘要

在诺贝尔奖得主爱丽丝·门罗的自传体小说中,本体论和死亡问题与空间和地点问题有着千丝万缕的联系。门罗语料库中表达的基本生存困境——从她的第二部短篇小说集《你认为你是谁?》-都与有关取向的基本问题有关。虽然自传体小说经常将对身份和已故父母的关注与对祖先空间的回忆交织在一起,但正如文学评论家诺斯罗普·弗莱(Northrop Frye)的名言所说,“这里在哪里?”是加拿大人想象力的特点。它现在也是人类世时代的基础。尽管评论家们经常称赞门罗在呈现令人难以忘怀的顿悟时刻方面的技巧,但她却很少被人称赞,因为她更倾向于讲述几年甚至几十年的故事。我的论文探讨了门罗对这些巨大的时间弧线的关注,以及它们对她递归自传体小说的影响。我认为,门罗在非虚构作品中对“回归和修正”的偏好,为她的主人公提供了一个机会,进而也为她的读者提供了一个机会,让他们重新审视和思考祖先的联系,以及非人类存在的维度,包括崇高的地质特征和久远的时间。
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Autobiography in the Anthropocene. A Geological Reading of Alice Munro
In the autobiographical stories of Nobel Prize award-winning author Alice Munro, questions of ontology and mortality are inextricably connected to matters of space and place. Fundamental existential dilemmas expressed in Munro’s corpus – signaled by the title of her second short story collection Who Do You Think You Are? – are linked to basic questions concerning orientation. Although autobiographical fiction frequently interweaves concerns about identity and deceased parents with recollections of ancestral spaces, as the literary critic Northrop Frye famously stated, the question ‘Where is here?’ is characteristic of the Canadian imagination. It is now also fundamental to the epoch of the Anthropocene. Although critics frequently praise Munro for her skill in presenting haunting, epiphanic moments, she is less often credited for her far less conventional tendency to tell stories covering years, even decades. My paper explores Munro’s preoccupation with these vast temporal arcs and their impact on her recursive autobiographical fiction. I argue that Munro’s penchant for ‘return and revision’ in her non-fictional works affords an opportunity for her protagonists and, by extension, her readers to revisit and ponder ancestral connections and the non-human dimensions of existence, which include sublime geological features and deep time.
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