通过摄影驯服食肉动物

Juha Suonpää
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引用次数: 5

摘要

熊、狼和狼獾——现在几乎灭绝的野生食肉动物——正逐渐回到芬兰的森林中。在过去的十年里,用腐肉拍摄野生捕食者的照片非常流行。自然摄影师竭尽全力试图在荒野中拍摄捕食者,而在动物园里几乎不费什么力气就能获得几乎相同的照片。但是,在野外摄影所需要的努力和勇气强调了摄影师的重要性,并为最终的照片增加了价值。自然照片是获得社会尊重的战利品和手段。拍摄野生捕食者是一种仪式,一种开始的考验。这是一种身体和情感上的努力,受制于不成文的法律。成功的野生捕食者的照片是包含社会定义的审美的照片。这些唯美统一的照片为日益壮大的摄影师群体提供了一张入场券。结果,公众对自然的兴趣提高了,但前提是它被驯服和控制在丰富多彩的图像中。
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Taming predators through photography
Bear, wolf and wolverine—wild predators almost extinct by now—are gradually returning to the Finnish forests. During the last decade it has been extremely popular to photograph wild predators using carrion. Nature photographers go to great lengths trying to photograph predators in the wilderness while almost identical photos could be obtained with much less effort in a zoo. But the effort and daring required for photography in the wild underscores the importance of the photographer and adds value to the resulting photographs. Nature photographs are trophies and means for social respect. Photographing wild predators is a rite, an ordeal of initiation. It is a physical and emotional endeavour subjected to unwritten laws. Successful photographs of wild predators are pictures that embrace a socially defined aesthetic. These aesthetically uniform pictures provide a ticket to the growing social community of photographers. As a result public interest in nature is heightened, but only as far as it is tamed and controlled in colourful images.
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Introduction: Visual Sociology and the Relational Image CODA: Towards a Visual Sociology 3.0 Review Editor's introduction Does image‐based field work have more to gain from extending or from rejecting scientific realism? An essay in review
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