贝壳世界:欧亚艺术与物质文化中的海洋微观世界

A. Grasskamp
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引用次数: 0

摘要

亚洲的贝壳在近代早期的欧洲被收集,而地中海的珊瑚则在亚洲受到追捧。在这两个地方,艺术家和工匠创造了欧亚物体,将从国外挪用的海洋材料与当地物质放在一起。这种绘画和制作的贝壳和珊瑚景观体现了物质产生和转化的想法。本章比较了构成艺术海洋微观世界的宇宙学思想和物质成分,并展示了它们的成分如何与欧洲殖民主义和中国朝贡体系框架下的外国空间的物质映射相呼应。尽管与希腊神话、基督教、道教和佛教的特定文化比喻有关,但该章节认为,在欧亚大陆,贝壳被认为是通往水下宝藏的大门,并能让超自然的女性接近。
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Shell Worlds: Maritime Microcosms in EurAsian Art and Material Culture
Asian shells were collected in early modern Europe, while Mediterranean coral was sought after in Asia. In both locations, artists and artisans created EurAsian objectscapes placing maritime material appropriated from abroad alongside local matter. Such painted and crafted shellscapes and coralscapes materialised ideas on the generation and transformation of matter. This chapter compares the cosmological ideas and material constituents that underlie artistic maritime microcosms and shows how their components echoed the material mapping of foreign spaces in the frameworks of European colonialism and Chinese tributary systems. Despite associations with culturally specific tropes in Greek mythology, Christianity, Daoism and Buddhism, the chapter argues that across Eurasia shells were believed to form gateways to underwater treasuries and give access to supernatural females.
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Acknowledgments Conclusion 3 Shell Worlds: Maritime Microcosms in EurAsian Art and Material Culture Frontmatter Index
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