Robert Rogoziecki
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摘要

本文从莫拉夫斯基的观点出发,考察了审美化的概念以及大众文化对审美化的影响。莫拉夫斯基对大众艺术采取了一种充满价值的态度。这就是为什么在他对审美化过程的反思中,与他最初的声明相反,审美化的作用仍然没有被他注意到。这就是为什么我要问莫拉斯基一些他没有回答的问题。事实上,当代生活的壮观导致了其“艺术般的”构成吗?文章的作者在这里给出了一个肯定的答案,强调大众艺术成为塑造生活的模式,并试图回答这个模式的基础是什么。因此,莫拉夫斯基的观点在这里作为一个否定的参照点出现。另一方面,考虑的积极部分集中在瓦尔特·本雅明和让·鲍德里亚身上。
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Stefana Morawskiego wizja sztuki masowej i estetyzacji świata – uwagi krytyczne
The text considers the concept of aestheticization and the influence of mass culture on it in the light of Stefan Morawski’s views. Morawski adopted a value-laden attitude towards mass art. That is why in his reflections on aestheticization processes its role remains unnoticed by him, contrary to his original declarations. This is why I have to ask Morawski questions that he leaves unanswered. Does in fact the spectacularity of contemporary life result in its “art-like” constitution? The author of the essay gives a positive answer here, stressing that mass art becomes the model for shaping life, and tries to answer what this pattern is based on. Thus Morawski’s views appear here as a negative point of reference. The positive part of the considerations, on the other hand, focuses on Walter Benjamin and Jean Baudrillard.
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