Sheepology

K. Piddington
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引用次数: 0

摘要

由Gilles Deleuze和Felix Guattari设计的“变成动物”概念为我提供了一个跳板,让我探索人类经验之外的新见解和视角。作为一名艺术实践者,我进入野生和家庭之间的矛盾空间,遇到非人类的动物。通过变形和与当地生态的协调,我以一种既有趣又严肃的意图进入了这些纠缠在一起的世界。我使用切换到自动相机和其他技术来制作这些多物种联盟的电影和声音作品,并考虑非人类的情况。然后,它们经历一个转变的过程,并被赋予空间,成为我无法控制的东西。最终,他们创造了另一种看待和思考物种间关系的方式。《Sheepology》这部电影和声音作品就是在这个过程中出现的,它为观众提供了一个跨越人类和非人类边界的机会,进入其他陌生的世界和领域,成为一个多物种共存的环境。我打算研究这些多物种联盟对生物多样性紧急情况意识转变的影响。
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Sheepology
‘Becoming-animal’, a concept devised by Gilles Deleuze and Felix Guattari, provides me with a springboard to explore new insights and perspectives outside the human experience. As an art practitioner, I enter paradoxical spaces between the wild and the domestic, to encounter non-human animals. Through shape-shifting and attuning to local ecologies, I enter these entangled worlds using both a playful and serious intent. I use a camera switched to auto and other technologies to create films and sound works from these multispecies alliances and to consider what it might be like to be non-human. These then undergo a transformative process and are given space to become something beyond my control. Ultimately, they create alternative ways of seeing and thinking about interspecies relationships. Sheepology, a film and sound work to emerge from this process, offers the viewer an opportunity to move across the human–non-human boundary, into other alien worlds and domains, to become undone and co-inhabit a multispecies environment. I plan to examine the implications of these multispecies alliances for creating a shift in awareness of the biodiversity emergency.
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