{"title":"执行身份","authors":"N. Beech, S. Broad","doi":"10.1093/oxfordhb/9780198827115.013.21","DOIUrl":null,"url":null,"abstract":"Through their performances, professional performance artists construct self-identities. They put themselves into their work, for example in autobiographical songs or through developing a distinctive style, and over time they become known for the content and tone of their performances. In addition, private aspects of who they are can become part of their public persona and audiences relate both to the art that is produced and the story of the person producing it. This chapter examines the nature of artistic performers’ identity construction through a dramaturgical lens, the construction of artistic biographies and the precarious nature of identity and performance as audiences and co-performers change. The authors consider some implications of this analysis for potential areas of focus for identity research and for modes of undertaking such research.","PeriodicalId":432212,"journal":{"name":"The Oxford Handbook of Identities in Organizations","volume":"1 1","pages":"0"},"PeriodicalIF":0.0000,"publicationDate":"2020-01-16","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"0","resultStr":"{\"title\":\"Performed Identities\",\"authors\":\"N. Beech, S. Broad\",\"doi\":\"10.1093/oxfordhb/9780198827115.013.21\",\"DOIUrl\":null,\"url\":null,\"abstract\":\"Through their performances, professional performance artists construct self-identities. They put themselves into their work, for example in autobiographical songs or through developing a distinctive style, and over time they become known for the content and tone of their performances. In addition, private aspects of who they are can become part of their public persona and audiences relate both to the art that is produced and the story of the person producing it. This chapter examines the nature of artistic performers’ identity construction through a dramaturgical lens, the construction of artistic biographies and the precarious nature of identity and performance as audiences and co-performers change. The authors consider some implications of this analysis for potential areas of focus for identity research and for modes of undertaking such research.\",\"PeriodicalId\":432212,\"journal\":{\"name\":\"The Oxford Handbook of Identities in Organizations\",\"volume\":\"1 1\",\"pages\":\"0\"},\"PeriodicalIF\":0.0000,\"publicationDate\":\"2020-01-16\",\"publicationTypes\":\"Journal Article\",\"fieldsOfStudy\":null,\"isOpenAccess\":false,\"openAccessPdf\":\"\",\"citationCount\":\"0\",\"resultStr\":null,\"platform\":\"Semanticscholar\",\"paperid\":null,\"PeriodicalName\":\"The Oxford Handbook of Identities in Organizations\",\"FirstCategoryId\":\"1085\",\"ListUrlMain\":\"https://doi.org/10.1093/oxfordhb/9780198827115.013.21\",\"RegionNum\":0,\"RegionCategory\":null,\"ArticlePicture\":[],\"TitleCN\":null,\"AbstractTextCN\":null,\"PMCID\":null,\"EPubDate\":\"\",\"PubModel\":\"\",\"JCR\":\"\",\"JCRName\":\"\",\"Score\":null,\"Total\":0}","platform":"Semanticscholar","paperid":null,"PeriodicalName":"The Oxford Handbook of Identities in Organizations","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.1093/oxfordhb/9780198827115.013.21","RegionNum":0,"RegionCategory":null,"ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"","JCRName":"","Score":null,"Total":0}
引用次数: 0

摘要

专业行为艺术家通过表演建构自我认同。他们把自己投入到他们的工作中,例如在自传体歌曲中或通过发展一种独特的风格,随着时间的推移,他们以表演的内容和语气而闻名。此外,他们是谁的私人方面可以成为他们公众形象的一部分,观众既与所生产的艺术有关,也与生产它的人的故事有关。本章通过戏剧镜头、艺术传记的构建以及随着观众和合作表演者的变化,身份和表演的不稳定性来考察艺术表演者身份建构的本质。作者考虑了这一分析对身份研究的潜在重点领域和开展此类研究的模式的一些影响。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
查看原文
分享 分享
微信好友 朋友圈 QQ好友 复制链接
本刊更多论文
Performed Identities
Through their performances, professional performance artists construct self-identities. They put themselves into their work, for example in autobiographical songs or through developing a distinctive style, and over time they become known for the content and tone of their performances. In addition, private aspects of who they are can become part of their public persona and audiences relate both to the art that is produced and the story of the person producing it. This chapter examines the nature of artistic performers’ identity construction through a dramaturgical lens, the construction of artistic biographies and the precarious nature of identity and performance as audiences and co-performers change. The authors consider some implications of this analysis for potential areas of focus for identity research and for modes of undertaking such research.
求助全文
通过发布文献求助,成功后即可免费获取论文全文。 去求助
来源期刊
自引率
0.00%
发文量
0
期刊最新文献
Gender Identity Identities in Organizations ‘Identity Work’ Agile Identities Performed Identities
×
引用
GB/T 7714-2015
复制
MLA
复制
APA
复制
导出至
BibTeX EndNote RefMan NoteFirst NoteExpress
×
×
提示
您的信息不完整,为了账户安全,请先补充。
现在去补充
×
提示
您因"违规操作"
具体请查看互助需知
我知道了
×
提示
现在去查看 取消
×
提示
确定
0
微信
客服QQ
Book学术公众号 扫码关注我们
反馈
×
意见反馈
请填写您的意见或建议
请填写您的手机或邮箱
已复制链接
已复制链接
快去分享给好友吧!
我知道了
×
扫码分享
扫码分享
Book学术官方微信
Book学术文献互助
Book学术文献互助群
群 号:481959085
Book学术
文献互助 智能选刊 最新文献 互助须知 联系我们:info@booksci.cn
Book学术提供免费学术资源搜索服务,方便国内外学者检索中英文文献。致力于提供最便捷和优质的服务体验。
Copyright © 2023 Book学术 All rights reserved.
ghs 京公网安备 11010802042870号 京ICP备2023020795号-1