{"title":"大屠杀后欧洲的性质和可能性","authors":"Kevin Haworth","doi":"10.2307/j.ctvgs098p.11","DOIUrl":null,"url":null,"abstract":"This chapter discusses Modan's second graphic novel, The Property, which embeds a taboo love affair within a quest to identify Jewish property lost in Warsaw during the Holocaust. The chapter explores the unresolved narratives around the war that envelop both Poles and Jews, and shows how Modan's book distances itself from both Israeli literature about Poland and from other contemporary Holocaust graphc novels. The chapter reveals Modan's process for creating the book, which involved hiring actors to stage each panel of the book's script.","PeriodicalId":145447,"journal":{"name":"The Comics of Rutu Modan","volume":"1 1","pages":"0"},"PeriodicalIF":0.0000,"publicationDate":"2019-03-07","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"0","resultStr":"{\"title\":\"The Property and the Possibilities of Post-Holocaust Europe\",\"authors\":\"Kevin Haworth\",\"doi\":\"10.2307/j.ctvgs098p.11\",\"DOIUrl\":null,\"url\":null,\"abstract\":\"This chapter discusses Modan's second graphic novel, The Property, which embeds a taboo love affair within a quest to identify Jewish property lost in Warsaw during the Holocaust. The chapter explores the unresolved narratives around the war that envelop both Poles and Jews, and shows how Modan's book distances itself from both Israeli literature about Poland and from other contemporary Holocaust graphc novels. The chapter reveals Modan's process for creating the book, which involved hiring actors to stage each panel of the book's script.\",\"PeriodicalId\":145447,\"journal\":{\"name\":\"The Comics of Rutu Modan\",\"volume\":\"1 1\",\"pages\":\"0\"},\"PeriodicalIF\":0.0000,\"publicationDate\":\"2019-03-07\",\"publicationTypes\":\"Journal Article\",\"fieldsOfStudy\":null,\"isOpenAccess\":false,\"openAccessPdf\":\"\",\"citationCount\":\"0\",\"resultStr\":null,\"platform\":\"Semanticscholar\",\"paperid\":null,\"PeriodicalName\":\"The Comics of Rutu Modan\",\"FirstCategoryId\":\"1085\",\"ListUrlMain\":\"https://doi.org/10.2307/j.ctvgs098p.11\",\"RegionNum\":0,\"RegionCategory\":null,\"ArticlePicture\":[],\"TitleCN\":null,\"AbstractTextCN\":null,\"PMCID\":null,\"EPubDate\":\"\",\"PubModel\":\"\",\"JCR\":\"\",\"JCRName\":\"\",\"Score\":null,\"Total\":0}","platform":"Semanticscholar","paperid":null,"PeriodicalName":"The Comics of Rutu Modan","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.2307/j.ctvgs098p.11","RegionNum":0,"RegionCategory":null,"ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"","JCRName":"","Score":null,"Total":0}
The Property and the Possibilities of Post-Holocaust Europe
This chapter discusses Modan's second graphic novel, The Property, which embeds a taboo love affair within a quest to identify Jewish property lost in Warsaw during the Holocaust. The chapter explores the unresolved narratives around the war that envelop both Poles and Jews, and shows how Modan's book distances itself from both Israeli literature about Poland and from other contemporary Holocaust graphc novels. The chapter reveals Modan's process for creating the book, which involved hiring actors to stage each panel of the book's script.