从物种间关系中产生的理解:马,猪,昆虫旅馆,艺术实践中的泥炭沼泽,研究写作中成为理解的询问和过程

Anniina Suominen
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引用次数: 0

摘要

本期《艺术与教育研究》的主题是探索人类以外的物种的研究。在最初的呼吁中,我和我的共同编辑Helena Sederholm将动物、植物、地衣、苔藓和真菌命名为可能的其他对象,或者更确切地说,是可以进行艺术和艺术基础研究的合作伙伴。本特刊第一卷于2022年出版。大约一年后,我们出版了第二卷,特别强调了人类与其他物种之间矛盾、矛盾的关系,人类生活中一部分的自然过程,以及人类与特定物种或地区建立的冲突和剥削关系。作者专注于个人建立的关系和与个体活的或死的动物的接触,而其他作者则关注和调查文化建立的观念和矛盾的做法,这些观念和做法已经成为规范的、占主导地位的做法或看法。这些文章和视觉散文的特点是后人文主义和后唯物主义取向,尽管他们的研究和艺术实践的策略和方法各不相同,但他们的取向可以被探索性批判性以及对艺术和其他认知传统的敏感性所引导的深刻反思所驱动。因此,他们深深地参与到通过艺术增进理解的模式中。
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Understanding emerging from interspecies relations: Horses, pigs, insect hotels, peat bogs in artistic practices, inquiries and processes of becoming to understand in research-writing
This thematic issue of Research in Arts and Education focuses on exploring research with species other than humans. In the original call, my co-editor Helena Sederholm and I named animals, plants, lichen, moss, and fungi as possible others, or rather partners with whom the carried out artistic and arts-based research could be carried out. The first volume of this special issue was published in 2022. Almost a year later, we publish this second volume that has a particular emphasis on the contradictory, paradoxical relations humans have with other species, the natural processes that are part of human life as well as with the conflicting and exploitative relations humans have built with particular species or places. The authors focus on personally built relationships and encounters with individual living or dead animals, while other authors bring attention to and investigate culturally built notions and contradictory practices that have become normative, dominant practices or perceptions. These articles and visual essays are characterized by posthumanist and postmaterialist orientations and although their strategies and approaches for research and art practices vary, their orientation can be characterized to be driven by exploratory criticality as well as deep reflection guided by sensitivity to arts and other epistemic traditions. As such, they are deeply involved in modes of increasing understanding with and through art.
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