{"title":"论19 - 20世纪之交平面艺术中无政府主义者负面形象的类型学。","authors":"Paúl Marcelo Velásquez Sabogal","doi":"10.7256/2454-0625.2022.8.36414","DOIUrl":null,"url":null,"abstract":"\n The subject of the study is the thematic and iconographic directions of the negative interpretation of the image of an anarchist in the printed culture of the turn of the XIX-XX centuries. The object of the study is graphic works published in periodicals of various ideological trends and devoted to the representation of the image of an anarchist. Three main directions of such interpretation are identified and described, namely, the criminal-terrorist, the mentally ill and the immigrant, whose iconographic features are analyzed in the light of socio-political and historical-cultural conditions of each specific context. Among the reviewed publications should be mentioned: L'Assiette au beurre, Le Petit Journal (France), Freie Jugend (Germany), Het Volk (Netherlands), La Obra, El Peludo (Argentina), Star (New Zealand) and The Washington Post (USA). The scientific novelty of the work consists in the fact that for the first time in modern art criticism, the process of forming the negative archetype of an anarchist is considered and analyzed on the basis of its graphic representation. Thus, a methodological basis is being created for studying the types of classification of the anarchist image. The methods used in the work are as follows: source studies, iconographic, artistic and stylistic analysis. The results of the study reveal the specifics of one of the interpretations of the image of an anarchist of the turn of the XIX-XX centuries, which has its roots in both right and left political trends, whose approaches to anarchism are based on socio-legal and medical sciences, among which criminology stands out. The latter, led by Cesare Lombroso, played a primary place in the mythologization, which is still active today, of the image of an anarchist as a carrier of chaos.\n","PeriodicalId":184304,"journal":{"name":"Культура и искусство","volume":"10 1","pages":"0"},"PeriodicalIF":0.0000,"publicationDate":"2022-08-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"0","resultStr":"{\"title\":\"On the Typology of the Negative Image of an Anarchist in Graphic Art at the Turn of the XIX-XX centuries.\",\"authors\":\"Paúl Marcelo Velásquez Sabogal\",\"doi\":\"10.7256/2454-0625.2022.8.36414\",\"DOIUrl\":null,\"url\":null,\"abstract\":\"\\n The subject of the study is the thematic and iconographic directions of the negative interpretation of the image of an anarchist in the printed culture of the turn of the XIX-XX centuries. The object of the study is graphic works published in periodicals of various ideological trends and devoted to the representation of the image of an anarchist. Three main directions of such interpretation are identified and described, namely, the criminal-terrorist, the mentally ill and the immigrant, whose iconographic features are analyzed in the light of socio-political and historical-cultural conditions of each specific context. Among the reviewed publications should be mentioned: L'Assiette au beurre, Le Petit Journal (France), Freie Jugend (Germany), Het Volk (Netherlands), La Obra, El Peludo (Argentina), Star (New Zealand) and The Washington Post (USA). The scientific novelty of the work consists in the fact that for the first time in modern art criticism, the process of forming the negative archetype of an anarchist is considered and analyzed on the basis of its graphic representation. Thus, a methodological basis is being created for studying the types of classification of the anarchist image. The methods used in the work are as follows: source studies, iconographic, artistic and stylistic analysis. The results of the study reveal the specifics of one of the interpretations of the image of an anarchist of the turn of the XIX-XX centuries, which has its roots in both right and left political trends, whose approaches to anarchism are based on socio-legal and medical sciences, among which criminology stands out. The latter, led by Cesare Lombroso, played a primary place in the mythologization, which is still active today, of the image of an anarchist as a carrier of chaos.\\n\",\"PeriodicalId\":184304,\"journal\":{\"name\":\"Культура и искусство\",\"volume\":\"10 1\",\"pages\":\"0\"},\"PeriodicalIF\":0.0000,\"publicationDate\":\"2022-08-01\",\"publicationTypes\":\"Journal Article\",\"fieldsOfStudy\":null,\"isOpenAccess\":false,\"openAccessPdf\":\"\",\"citationCount\":\"0\",\"resultStr\":null,\"platform\":\"Semanticscholar\",\"paperid\":null,\"PeriodicalName\":\"Культура и искусство\",\"FirstCategoryId\":\"1085\",\"ListUrlMain\":\"https://doi.org/10.7256/2454-0625.2022.8.36414\",\"RegionNum\":0,\"RegionCategory\":null,\"ArticlePicture\":[],\"TitleCN\":null,\"AbstractTextCN\":null,\"PMCID\":null,\"EPubDate\":\"\",\"PubModel\":\"\",\"JCR\":\"\",\"JCRName\":\"\",\"Score\":null,\"Total\":0}","platform":"Semanticscholar","paperid":null,"PeriodicalName":"Культура и искусство","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.7256/2454-0625.2022.8.36414","RegionNum":0,"RegionCategory":null,"ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"","JCRName":"","Score":null,"Total":0}
引用次数: 0
摘要
本研究的主题是19 - 20世纪之交印刷文化中对无政府主义者形象的负面解释的主题和图像方向。本研究的对象是发表在各种思潮期刊上的图形作品,这些作品致力于表现无政府主义者的形象。识别和描述了这种解释的三个主要方向,即犯罪-恐怖分子,精神病患者和移民,并根据每个特定背景的社会政治和历史文化条件分析了其图像特征。在审查过的出版物中应提到:L'Assiette au berurre、Le Petit Journal(法国)、Freie Jugend(德国)、Het Volk(荷兰)、La Obra、El Peludo(阿根廷)、Star(新西兰)和the Washington Post(美国)。该作品的科学新颖性在于,在现代艺术批评中,这是第一次在图形表现的基础上考虑和分析无政府主义者负面原型的形成过程。因此,为研究无政府主义形象的分类类型创造了一个方法论基础。在工作中使用的方法如下:来源研究,图像,艺术和风格分析。这项研究的结果揭示了对十九至二十世纪之交的无政府主义者形象的一种解释的具体特点,这种解释根源于右翼和左翼的政治趋势,其对无政府主义的态度以社会法学和医学为基础,其中犯罪学尤为突出。后者由切萨雷·隆布罗索(Cesare Lombroso)领导,在无政府主义者作为混乱载体的形象的神话化中发挥了主要作用,这种神话化至今仍很活跃。
On the Typology of the Negative Image of an Anarchist in Graphic Art at the Turn of the XIX-XX centuries.
The subject of the study is the thematic and iconographic directions of the negative interpretation of the image of an anarchist in the printed culture of the turn of the XIX-XX centuries. The object of the study is graphic works published in periodicals of various ideological trends and devoted to the representation of the image of an anarchist. Three main directions of such interpretation are identified and described, namely, the criminal-terrorist, the mentally ill and the immigrant, whose iconographic features are analyzed in the light of socio-political and historical-cultural conditions of each specific context. Among the reviewed publications should be mentioned: L'Assiette au beurre, Le Petit Journal (France), Freie Jugend (Germany), Het Volk (Netherlands), La Obra, El Peludo (Argentina), Star (New Zealand) and The Washington Post (USA). The scientific novelty of the work consists in the fact that for the first time in modern art criticism, the process of forming the negative archetype of an anarchist is considered and analyzed on the basis of its graphic representation. Thus, a methodological basis is being created for studying the types of classification of the anarchist image. The methods used in the work are as follows: source studies, iconographic, artistic and stylistic analysis. The results of the study reveal the specifics of one of the interpretations of the image of an anarchist of the turn of the XIX-XX centuries, which has its roots in both right and left political trends, whose approaches to anarchism are based on socio-legal and medical sciences, among which criminology stands out. The latter, led by Cesare Lombroso, played a primary place in the mythologization, which is still active today, of the image of an anarchist as a carrier of chaos.