乐天的鸟、女性欲望与《少年维特瑟斯的莱顿》中的“性”语言

C. Niekerk
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摘要

摘要:在1787年修订的第二版《少年卫尔瑟斯之城》中,歌德增加了一个简短的情节,描写了一只小鸟(金丝雀)亲吻她的嘴——这是她训练它用面包屑做的事情。维特被他所看到的深深地影响了,我们可以读到沙发的场景,维特对乐天的攻击导致了两人最终的分手,这与这个场景有关。金丝雀事件触及了《少年维特瑟斯的快乐》中的一个核心问题:维特和洛特是被我们今天称之为“性”的欲望和冲动所驱使的(他们本质上是身体的,与他们的自我意识紧密相连,并且作为绝对必要的体验),但他们没有词汇——“性”这个词直到19世纪下半叶才被发明出来。在性史的背景下阅读,歌德的小说的意义在于它产生了一系列的形象(隐喻)作为交流的手段,帮助我们理解乐天和维特之间的(性)动态,特别是文本中对女性欲望的描述。从这个角度来解释,这只鸟亲吻洛特(以及维特)的形象变得非常复杂,但可能有助于我们理解在生物学和文化之间的断层线上,“性”在歌德看来是处于什么位置。
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Lotte's Bird, Female Desire, and the Language of "Sexuality" in Die Leiden des jungen Werthers
Abstract:In the 1787 edition of Die Leiden des jungen Werthers, the revised second edition of the text, Goethe added a brief episode that shows Lotte having a bird (a canary) kiss her on the mouth—something she has trained it to do with breadcrumbs. Werther is deeply affected by what he sees, and one can read the couch scene, Werther's assault on Lotte that causes the final breakup between the two of them, as linked to this scene. The canary episode touches on one of the central problems in Die Leiden des jungen Werthers: the fact that Werther and Lotte are driven by desires and urges that we nowadays would call "sexual" (they are physical in nature, closely linked to their sense of self, and experienced as absolutely imperative), but for which they have no vocabulary—the term "sexuality" would not be invented until the second half of the nineteenth century. Read in the context of the history of sexuality, the significance of Goethe's novel consists in its production of a series of images (metaphors) as means of communication to help us understand this (sexual) dynamic as it develops between Lotte and Werther—in particular, the depiction of female desire in the text. Interpreted from this perspective, the image of the bird kissing Lotte (and also Werther) turns out to be remarkably complex but may help us understand where on the fault line between biology and culture "sexuality," in Goethe's view, is to be situated.
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