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引用次数: 0

摘要

本章考察音乐与马维尔诗歌的关系。从详细阅读“音乐的帝国”开始,讨论然后继续考虑马维尔诗句的三个主要音乐品质。首先,这些诗被证明是在创作时就有了音乐的想法,想象或预测了他的歌词和对话的旋律、和声和节奏的框架。其次,诗歌歌颂音乐的力量,不仅通过丰富的音乐隐喻,而且通过一贯和丰富的听觉敏锐。第三,本章表明,马维尔的诗歌转向音乐思想,作为刻画他一生中深刻的精神和政治问题的一种方式。本章以他诗歌的一些实际音乐背景的叙述结束,借鉴了早期现代和最近作曲家对他诗歌的解释性反应的例子。
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Marvell and Music
This chapter investigates the relationship between music and Marvell’s poetry. Beginning with a detailed reading of ‘Music’s Empire’, the discussion then proceeds to consider three main musical qualities of Marvell’s verse. First, the poems are shown to have been written with music in mind, imagining or anticipating the frameworks of melody, harmony, and rhythm for his lyrics and dialogues. Second, the poems celebrate the power of music not only by being rich with musical metaphors but also by being consistently and richly alert to the sense of hearing. Third, the chapter suggests that Marvell’s poems turn to musical ideas as a way of characterizing the profound spiritual and political matters of his lifetime. The chapter ends with an account of some actual musical settings of his verse, drawing on early modern and more recent examples of composers’ interpretative responses to his poems.
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‘Upon Appleton House’ Marvell and Lyrics of Undifference Marvell and His Adversaries, 1672–1678 Marvell and Waller Marvell and Elegy
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