{"title":"种族、美学和庇护所:走向后殖民时期建筑的历史分类","authors":"IVAN GASKELL","doi":"10.1111/jaac.12671","DOIUrl":null,"url":null,"abstract":"<div>\n \n <p>This article proposes that one source of deep-rooted prejudices among peoples derives from their fundamental lifeways respectively as settled or peripatetic. Although the advantage in the present is clearly with settled, notably urban, peoples, that is no reason either to project an attitude of superiority into consideration of the past or to assume inherent superiority in the present. Building types characterize these fundamentally different lifeways, and settled peoples unthinkingly assume the superiority not only of their own building types but of a small subset thereof conceived as architecture, conceived as the work, principally, of the mind rather than the hand. This article proposes a fundamental historical taxonomy on grounds of function—the provision of shelter—of buildings of all types employed by both settled and peripatetic peoples, from tents to temples. Although the antagonism between settled and peripatetic peoples, based on different conceptions of the land, rests on their fundamental differences in lifeways, including building practices, those differences are often entangled with racial considerations.</p>\n </div>","PeriodicalId":51571,"journal":{"name":"JOURNAL OF AESTHETICS AND ART CRITICISM","volume":"77 4","pages":"379-390"},"PeriodicalIF":1.0000,"publicationDate":"2019-10-30","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"https://sci-hub-pdf.com/10.1111/jaac.12671","citationCount":"1","resultStr":"{\"title\":\"Race, Aesthetics, and Shelter: Toward a Postcolonial Historical Taxonomy of Buildings\",\"authors\":\"IVAN GASKELL\",\"doi\":\"10.1111/jaac.12671\",\"DOIUrl\":null,\"url\":null,\"abstract\":\"<div>\\n \\n <p>This article proposes that one source of deep-rooted prejudices among peoples derives from their fundamental lifeways respectively as settled or peripatetic. Although the advantage in the present is clearly with settled, notably urban, peoples, that is no reason either to project an attitude of superiority into consideration of the past or to assume inherent superiority in the present. Building types characterize these fundamentally different lifeways, and settled peoples unthinkingly assume the superiority not only of their own building types but of a small subset thereof conceived as architecture, conceived as the work, principally, of the mind rather than the hand. This article proposes a fundamental historical taxonomy on grounds of function—the provision of shelter—of buildings of all types employed by both settled and peripatetic peoples, from tents to temples. Although the antagonism between settled and peripatetic peoples, based on different conceptions of the land, rests on their fundamental differences in lifeways, including building practices, those differences are often entangled with racial considerations.</p>\\n </div>\",\"PeriodicalId\":51571,\"journal\":{\"name\":\"JOURNAL OF AESTHETICS AND ART CRITICISM\",\"volume\":\"77 4\",\"pages\":\"379-390\"},\"PeriodicalIF\":1.0000,\"publicationDate\":\"2019-10-30\",\"publicationTypes\":\"Journal Article\",\"fieldsOfStudy\":null,\"isOpenAccess\":false,\"openAccessPdf\":\"https://sci-hub-pdf.com/10.1111/jaac.12671\",\"citationCount\":\"1\",\"resultStr\":null,\"platform\":\"Semanticscholar\",\"paperid\":null,\"PeriodicalName\":\"JOURNAL OF AESTHETICS AND ART CRITICISM\",\"FirstCategoryId\":\"1085\",\"ListUrlMain\":\"https://onlinelibrary.wiley.com/doi/10.1111/jaac.12671\",\"RegionNum\":2,\"RegionCategory\":\"艺术学\",\"ArticlePicture\":[],\"TitleCN\":null,\"AbstractTextCN\":null,\"PMCID\":null,\"EPubDate\":\"\",\"PubModel\":\"\",\"JCR\":\"0\",\"JCRName\":\"ART\",\"Score\":null,\"Total\":0}","platform":"Semanticscholar","paperid":null,"PeriodicalName":"JOURNAL OF AESTHETICS AND ART CRITICISM","FirstCategoryId":"1085","ListUrlMain":"https://onlinelibrary.wiley.com/doi/10.1111/jaac.12671","RegionNum":2,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"0","JCRName":"ART","Score":null,"Total":0}
Race, Aesthetics, and Shelter: Toward a Postcolonial Historical Taxonomy of Buildings
This article proposes that one source of deep-rooted prejudices among peoples derives from their fundamental lifeways respectively as settled or peripatetic. Although the advantage in the present is clearly with settled, notably urban, peoples, that is no reason either to project an attitude of superiority into consideration of the past or to assume inherent superiority in the present. Building types characterize these fundamentally different lifeways, and settled peoples unthinkingly assume the superiority not only of their own building types but of a small subset thereof conceived as architecture, conceived as the work, principally, of the mind rather than the hand. This article proposes a fundamental historical taxonomy on grounds of function—the provision of shelter—of buildings of all types employed by both settled and peripatetic peoples, from tents to temples. Although the antagonism between settled and peripatetic peoples, based on different conceptions of the land, rests on their fundamental differences in lifeways, including building practices, those differences are often entangled with racial considerations.
期刊介绍:
The Journal of Aesthetics and Art Criticism publishes current research articles, symposia, special issues, and timely book reviews in aesthetics and the arts. The term aesthetics, in this connection, is understood to include all studies of the arts and related types of experience from a philosophic, scientific, or other theoretical standpoint. The arts are taken to include not only the traditional forms such as music, literature, landscape architecture, dance, painting, architecture, sculpture, and other visual arts, but also more recent additions such as photography, film, earthworks, performance and conceptual art, the crafts and decorative arts, contemporary digital innovations, and other cultural practices, including work and activities in the field of popular culture.