在montiwa改编的gitlicious的书中对强迫婚姻的污名化,我的讲师,我的丈夫

Masnia Rahayu
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摘要

目前,强迫婚姻和包办婚姻的主题在千禧一代的文学作品中很流行。互联网的便利和特权是虚拟空间,它不仅是阅读材料的提供者,也是文学作品本身的场所,比如Wattpad。Wattpad于2017年出版的著名小说《我的讲师我的丈夫》是印度尼西亚的韩国男子组合粉丝Gitlicious(笔名)崇拜Exo组合的韩国艺人Lay的作品。2020年,著名制片人蒙蒂·提瓦(Monty Tiwa)将《我的讲师我的丈夫》(My Lecturer My Husband)改编成网络连续剧,揭示了女性在强迫婚姻中的反抗形式和男性的谈判过程。因此,本研究旨在分析Monty Tiwa改编Gitlicious的《我的讲师我的丈夫》中重构负面污名的强迫婚姻。本研究采用Linda Hutcheon(2006)提出的适应理论。为了消解文本的意识形态,本研究使用了Butler(1990)关于性别和性表达多样性的理论。从分析结果来看,《我的讲师我的丈夫》反映了强迫婚姻在语境和商业上的价值转变。在意识形态上,《蒙蒂提瓦》的文本改编显示了依附于父母角色的强迫婚姻的耻辱的转变,以及强迫婚姻中丈夫和妻子的表达的转变。
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STIGMATIZATION OF FORCED MARRIAGE IN MONTY TIWA’S ADAPTATION OF GITLICIOUS’S MY LECTURER MY HUSBAND
The forced marriage and the arranged marriages theme currently become popular in literary works on millennial applications. The facility and privilege of the internet were virtual spaces that were not only a provider of reading materials but also a place for literary production itself such as Wattpad. My Lecturer My Husband, one of the famous Wattpad novels published in 2017, was the work of a Korean boyband fan from Indonesia named Gitlicious (pen name) who idolizes a Korean artist named Lay from the Exo group. In 2020, My Lecturer My Husband was adapted by a well-known producer, Monty Tiwa, into a web series that identified forms of female resistance and the negotiation process of men in forced marriage. Thus, this study aims to analyze forced marriage that reconstructs the negative stigma in Monty Tiwa's adaptation of Gitlicious’s My Lecturer My Husband. This study used the adaptation theory proposed by Linda Hutcheon (2006). To dismantle the ideology of the text, this research used the theory of Butler(1990), which was about the diversity of gender and sexuality expressions. From the results of the analysis, it was found that My Lecturer My Husband reflects the shift in the value of forced marriage contextually and commercially. Ideologically, the text adaptation of Monty Tiwa shows a shift in the stigma of forced marriage attached to the role of parents and a shift in the expression of husband and wife in forced marriage.
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