{"title":"这是谁的故事?","authors":"Geoffrey Fisher","doi":"10.2307/j.ctv1mjqvbp.11","DOIUrl":null,"url":null,"abstract":"At the age of six, I was writing fiction about a willy-wagtail, whose best friend was an ant. (Even then I had a good grasp on relationships!) Several years later, I had moved to human protagonists—mainly young girls living in boarding schools and excelling at ballet. I had no experience of either boarding school or ballet but I had my dreams. By adolescence, I was writing fiction about homelessness and drug addiction—once again, from vicarious experience. And then I went to uni to do a literature degree and realised that great Australian novelists were serious, learned and (then) mostly male. I still wanted to write my novel, but I decided I had to live a bit first.","PeriodicalId":286977,"journal":{"name":"Transcultural Cinema","volume":"18 1","pages":"0"},"PeriodicalIF":0.0000,"publicationDate":"2021-07-13","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"0","resultStr":"{\"title\":\"Whose Story Is It?\",\"authors\":\"Geoffrey Fisher\",\"doi\":\"10.2307/j.ctv1mjqvbp.11\",\"DOIUrl\":null,\"url\":null,\"abstract\":\"At the age of six, I was writing fiction about a willy-wagtail, whose best friend was an ant. (Even then I had a good grasp on relationships!) Several years later, I had moved to human protagonists—mainly young girls living in boarding schools and excelling at ballet. I had no experience of either boarding school or ballet but I had my dreams. By adolescence, I was writing fiction about homelessness and drug addiction—once again, from vicarious experience. And then I went to uni to do a literature degree and realised that great Australian novelists were serious, learned and (then) mostly male. I still wanted to write my novel, but I decided I had to live a bit first.\",\"PeriodicalId\":286977,\"journal\":{\"name\":\"Transcultural Cinema\",\"volume\":\"18 1\",\"pages\":\"0\"},\"PeriodicalIF\":0.0000,\"publicationDate\":\"2021-07-13\",\"publicationTypes\":\"Journal Article\",\"fieldsOfStudy\":null,\"isOpenAccess\":false,\"openAccessPdf\":\"\",\"citationCount\":\"0\",\"resultStr\":null,\"platform\":\"Semanticscholar\",\"paperid\":null,\"PeriodicalName\":\"Transcultural Cinema\",\"FirstCategoryId\":\"1085\",\"ListUrlMain\":\"https://doi.org/10.2307/j.ctv1mjqvbp.11\",\"RegionNum\":0,\"RegionCategory\":null,\"ArticlePicture\":[],\"TitleCN\":null,\"AbstractTextCN\":null,\"PMCID\":null,\"EPubDate\":\"\",\"PubModel\":\"\",\"JCR\":\"\",\"JCRName\":\"\",\"Score\":null,\"Total\":0}","platform":"Semanticscholar","paperid":null,"PeriodicalName":"Transcultural Cinema","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.2307/j.ctv1mjqvbp.11","RegionNum":0,"RegionCategory":null,"ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"","JCRName":"","Score":null,"Total":0}
At the age of six, I was writing fiction about a willy-wagtail, whose best friend was an ant. (Even then I had a good grasp on relationships!) Several years later, I had moved to human protagonists—mainly young girls living in boarding schools and excelling at ballet. I had no experience of either boarding school or ballet but I had my dreams. By adolescence, I was writing fiction about homelessness and drug addiction—once again, from vicarious experience. And then I went to uni to do a literature degree and realised that great Australian novelists were serious, learned and (then) mostly male. I still wanted to write my novel, but I decided I had to live a bit first.