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引用次数: 0
摘要
本章主要讨论雅典的色诺芬。在讨论古希腊传记及其发展时,对色诺芬文学技巧的评价一直是积极的。学者们已经认识到,为了探索人物和评价个人生活,他使用了多种多样的文学形式,尽管他们在他的哪部作品应该属于古代传记研究的范围上意见不一。本章探讨苏格拉底在色诺芬的传记实验中所扮演的关键角色。人们渴望捕捉苏格拉底的精髓,理解他是如何以及为什么这样生活的,这激发了一种完整的写作体裁——sokratikoi logoi——毫无疑问,这种体裁借鉴了早期的轶事集,比如《希俄斯的伊翁》(Ion of Chios),但后来变得更全面、更传记化。对事实有一定的灵活性是允许的,因为如果一个虚构的场景比严格的史实更能代表苏格拉底性格和生活的更深层次的真相,那么最终这才是重要的。这种对事实的灵活性是色诺芬所有传记实验的特点,尽管方式不同,取决于这些作品的其他目的。
This chapter focuses on Xenophon of Athens. Assessments of Xenophon’s literary skills have always been positive in discussions about ancient Greek biography and its development. Scholars have recognized how remarkably diverse the literary forms are which he uses in order to explore character and assess individual lives, even if they do not agree precisely on which of his works ought to fall within the ambit of the study of ancient biography. The chapter examines the pivotal role the figure of Socrates plays in Xenophon’s biographical experiments. The desire to capture Socrates’ essence, to understand how and why he lived as he did, inspired a whole genre of writing—Sokratikoi logoi—which undoubtedly drew on earlier anecdotal collections such as that of Ion of Chios, but which became something more comprehensive and more biographical. A certain flexibility with truth was allowed, for if a fictionalized scenario could better represent a deeper truth about Socrates’ character and life than strict historicity, then that in the end was what was important. This flexibility with the truth characterizes all of Xenophon’s biographical experiments, though in different ways, depending upon the other aims of these works.