成为florbela espanca的痛苦:关于十四行诗“i…”中情感折磨的思考

Pedro Walisson Gomes Feitosa, M. Maia, M. O. Aragão, P. Cunha, Caracas Fernandes Caracas, Fabio Gomes de Oliveira, Eulina Alves Sousa Brito, M. Neto
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摘要

每一种疼痛都是由于止血破裂引起的。在这种分裂之后,“我”进入了一个等待的过程,随之而来的是一种显著的精神痛苦。疼痛过程与传统疼痛不同,因为它依赖于一种有机病理机制,产生的疼痛无法定位、限定或定时。通过这种方式,Florbela Espanca在她的十四行诗“I…”中揭示了她遭受精神痛苦的迹象。我们试图分析Florbela Espanca在她的十四行诗“I…”中对苦难的描述,将其与女性在她的作品和二十世纪葡萄牙社会中的社会心理表现联系起来。本文采用文献分析的方法,除了对弗洛贝拉·埃斯潘卡的代表作进行研究外,还采用了与主题相关的书目研究。此外,我们还包括简要的背景和理论基础的精神痛苦和工作的分析。我们强调,作为一个潜在的困难,研究数量的减少,这一方法学路线,可以有助于推论的弗洛贝拉·埃斯潘卡的文学作品。十四行诗“我……”表明诗人面临着“病态的悲伤”。死亡破裂所引起的痛苦过程。在作者的生活中,有很多场景,身体上,通过她所爱的人的死亡,通过她失去的爱的死亡。
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THE PAIN OF BEING FLORBELA ESPANCA: CONSIDERATIONS ABOUT THE EMOTIONAL ORDEAL IN THE SONNET "I ..."
Every pain result from a process of rupturing a hemostasis. After this fragmentation, the “I” enters a waiting process, followed, consequently, by an eminent psychic pain. The pain process differs from conventional pain because it depends of an organic pathological mechanism, generating pain that can’t be located, qualified or timed. This way, Florbela Espanca in her sonnet “I…” reveals indications that she suffers of psychic pain. We seek to analyze the descriptions about the suffering of Florbela Espanca in her sonnet "I ...", associating to the psychosocial representation of women in her work and in the Portuguese society of the twentieth century. This article followed a method of documentary analysis, using, in addition to the masterpiece of Florbela Espanca, bibliographic studies related to the theme. Moreover, we include a brief background and theoretical foundation on psychic pain and the work under analysis. We highlight as a latent difficulty the reduced number of researches in this methodological line that could contribute to the inferences about the Florbela Espanca’s literary work. The sonnet "I ..." indicates that the poet faced "pathological grief ". A process of pain occasioned by the rupture of the death. In the authors’ life, runs in many scenarios, physically, through the death of her beloved ones, and through the death of her lost loves. 
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