巴黎的回忆:1930年代塞尔维亚艺术家的三个朝圣之旅。

A. Milošević
{"title":"巴黎的回忆:1930年代塞尔维亚艺术家的三个朝圣之旅。","authors":"A. Milošević","doi":"10.22190/FUVAM1901059M","DOIUrl":null,"url":null,"abstract":"The aim of this paper is to reveal  some of the not so well known aspects about studying in Paris of the Serbian painters Ljubomir Ivanović, Mihailo S. Petrov and Svetolik Lukić during the 1930s. A large number of painters travelled to Paris to learn about the contemporary trends in art, museums and galleries. Serbian/Yugoslav painters formed small colonies in Montparnase and Malakoffand, and they were actively involved in the bohemian art life.Those who could not afford to study or to live in Paris would go there for short “intensive” study trips that resembled pilgrimages. For a relatively short time they had to see all the wonders, visit the sites, absorb the atmosphere, history and culture of the French capital and to take home the impressions in their drawings and paintings. Ljubomir Ivanović, Mihailo S. Petrov and Svetolik Lukić among many faces of Paris chose to represent the identity of the city and their own identity.","PeriodicalId":297431,"journal":{"name":"Facta Universitatis, Series: Visual Arts and Music","volume":"55 1","pages":"0"},"PeriodicalIF":0.0000,"publicationDate":"2019-07-04","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"0","resultStr":"{\"title\":\"MEMORIES FROM PARIS: THREE PILGRIMAGES OF SERBIAN ARTISTS IN THE 1930s.\",\"authors\":\"A. Milošević\",\"doi\":\"10.22190/FUVAM1901059M\",\"DOIUrl\":null,\"url\":null,\"abstract\":\"The aim of this paper is to reveal  some of the not so well known aspects about studying in Paris of the Serbian painters Ljubomir Ivanović, Mihailo S. Petrov and Svetolik Lukić during the 1930s. A large number of painters travelled to Paris to learn about the contemporary trends in art, museums and galleries. Serbian/Yugoslav painters formed small colonies in Montparnase and Malakoffand, and they were actively involved in the bohemian art life.Those who could not afford to study or to live in Paris would go there for short “intensive” study trips that resembled pilgrimages. For a relatively short time they had to see all the wonders, visit the sites, absorb the atmosphere, history and culture of the French capital and to take home the impressions in their drawings and paintings. Ljubomir Ivanović, Mihailo S. Petrov and Svetolik Lukić among many faces of Paris chose to represent the identity of the city and their own identity.\",\"PeriodicalId\":297431,\"journal\":{\"name\":\"Facta Universitatis, Series: Visual Arts and Music\",\"volume\":\"55 1\",\"pages\":\"0\"},\"PeriodicalIF\":0.0000,\"publicationDate\":\"2019-07-04\",\"publicationTypes\":\"Journal Article\",\"fieldsOfStudy\":null,\"isOpenAccess\":false,\"openAccessPdf\":\"\",\"citationCount\":\"0\",\"resultStr\":null,\"platform\":\"Semanticscholar\",\"paperid\":null,\"PeriodicalName\":\"Facta Universitatis, Series: Visual Arts and Music\",\"FirstCategoryId\":\"1085\",\"ListUrlMain\":\"https://doi.org/10.22190/FUVAM1901059M\",\"RegionNum\":0,\"RegionCategory\":null,\"ArticlePicture\":[],\"TitleCN\":null,\"AbstractTextCN\":null,\"PMCID\":null,\"EPubDate\":\"\",\"PubModel\":\"\",\"JCR\":\"\",\"JCRName\":\"\",\"Score\":null,\"Total\":0}","platform":"Semanticscholar","paperid":null,"PeriodicalName":"Facta Universitatis, Series: Visual Arts and Music","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.22190/FUVAM1901059M","RegionNum":0,"RegionCategory":null,"ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"","JCRName":"","Score":null,"Total":0}
引用次数: 0

摘要

本文的目的是揭示一些不太为人所知的方面在巴黎学习的塞尔维亚画家Ljubomir ivanoviki, Mihailo S. Petrov和Svetolik lukiki在20世纪30年代。大批画家前往巴黎,了解当代艺术、博物馆和画廊的发展趋势。塞尔维亚/南斯拉夫画家在蒙帕纳斯和马拉科夫德形成了小殖民地,他们积极参与波西米亚艺术生活。那些无法在巴黎学习或生活的人会去那里进行类似朝圣的短期“密集”学习之旅。在相对较短的时间内,他们必须参观所有的奇观,参观景点,感受法国首都的氛围、历史和文化,并把他们的素描和油画印象带回家。Ljubomir ivanovivic, Mihailo S. Petrov和Svetolik lukiki在巴黎的许多面孔中选择代表城市的身份和他们自己的身份。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
查看原文
分享 分享
微信好友 朋友圈 QQ好友 复制链接
本刊更多论文
MEMORIES FROM PARIS: THREE PILGRIMAGES OF SERBIAN ARTISTS IN THE 1930s.
The aim of this paper is to reveal  some of the not so well known aspects about studying in Paris of the Serbian painters Ljubomir Ivanović, Mihailo S. Petrov and Svetolik Lukić during the 1930s. A large number of painters travelled to Paris to learn about the contemporary trends in art, museums and galleries. Serbian/Yugoslav painters formed small colonies in Montparnase and Malakoffand, and they were actively involved in the bohemian art life.Those who could not afford to study or to live in Paris would go there for short “intensive” study trips that resembled pilgrimages. For a relatively short time they had to see all the wonders, visit the sites, absorb the atmosphere, history and culture of the French capital and to take home the impressions in their drawings and paintings. Ljubomir Ivanović, Mihailo S. Petrov and Svetolik Lukić among many faces of Paris chose to represent the identity of the city and their own identity.
求助全文
通过发布文献求助,成功后即可免费获取论文全文。 去求助
来源期刊
自引率
0.00%
发文量
0
期刊最新文献
IDIOSYNCRATIC ELEMENTS IN MUSIC-RELATED GESTURE-SOUND RELATIONSHIPS: A HINDUSTANI DUET PERFORMANCE ANALYSIS TREATMENT OF THE POETIC TEXT OF CRNJANSKI AND CHARACTERISTICS OF THE HARMONIC LANGUAGE IN THE SUMATRA SONG BY SVETISLAV BOŽIĆ METHODS FOR TEACHING HARMONY AND COUNTERPOINT IN SECONDARY MUSIC SCHOOLS IN THE REPUBLIC OF SERBIA SEMIOTICS OF FILM / SEMIOTICS OF FILM MUSIC THE ROLE OF FINGERING IN CREATING MUSIC ON THE PIANO
×
引用
GB/T 7714-2015
复制
MLA
复制
APA
复制
导出至
BibTeX EndNote RefMan NoteFirst NoteExpress
×
×
提示
您的信息不完整,为了账户安全,请先补充。
现在去补充
×
提示
您因"违规操作"
具体请查看互助需知
我知道了
×
提示
现在去查看 取消
×
提示
确定
0
微信
客服QQ
Book学术公众号 扫码关注我们
反馈
×
意见反馈
请填写您的意见或建议
请填写您的手机或邮箱
已复制链接
已复制链接
快去分享给好友吧!
我知道了
×
扫码分享
扫码分享
Book学术官方微信
Book学术文献互助
Book学术文献互助群
群 号:481959085
Book学术
文献互助 智能选刊 最新文献 互助须知 联系我们:info@booksci.cn
Book学术提供免费学术资源搜索服务,方便国内外学者检索中英文文献。致力于提供最便捷和优质的服务体验。
Copyright © 2023 Book学术 All rights reserved.
ghs 京公网安备 11010802042870号 京ICP备2023020795号-1