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引用次数: 0

摘要

这一章表明,圣诞诗歌为读者提供了一种与这个季节特有的爱、挽歌、神秘和公共情感体验亲密接触的方式。通过引用玛雅·安杰洛、e·e·卡明斯、托伊·德里克特、t·s·艾略特、Martín埃斯帕达、罗伯特·弗罗斯特、杰拉德·曼利·霍普金斯、兰斯顿·休斯、伊丽莎白·詹宁斯、彼得·拉金、w·s·默温、克里斯蒂娜·罗塞蒂、伊维·肖克利、苏夫扬·史蒂文斯和w·b·叶芝的诗歌,本章认为只有诗歌才能捕捉到天使报、降临节、圣诞树、平安夜、主显节和圣诞节的神奇、咒语和圣灵。诗歌的倾斜和间接的表达非常适合于一系列的盛宴和禁食,这些盛宴和禁食在一个事件中达到高潮,用喜悦、惊奇和对不确定性和信仰的热爱取代了我们对经验理性和安慰的渴望。
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Poetry
This chapter suggests that Christmas poetry offers readers a way to become intimate with a loving, elegiac, mysterious, and communal emotional experience particular to the season. With reference to poems by Maya Angelou, e. e. cummings, Toi Derricotte, T. S. Eliot, Martín Espada, Robert Frost, Gerard Manley Hopkins, Langston Hughes, Elizabeth Jennings, Peter Larkin, W. S. Merwin, Christina Rossetti, Evie Shockley, Sufjan Stevens, and W. B. Yeats, the chapter argues that only poetry can capture the magical, incantatory, and holy spirit of the Annunciation, Advent, Christmas trees, Christmas Eve, Epiphany, and Christmas Day. Poetry’s oblique and indirect expression is ideally suited to a series of feasts and fasts that culminate in an event that replaces our desire for empirical reason and reassurance with the joy, wonder, and love of uncertainty and faith.
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