A Dialog with Li Zehou—The Sensate,1 The Individual, My Choice

I have to admit, in the realm of contemporary Chinese aesthetics, Li Zehou's influence is second to none. Every one of his new works is widely read, many of his viewpoints are frequently quoted, and in particular, his "cultural sedimentation" is, at certain levels, already used as a fundamental tenet and applied to real theoretical research and literary criticism; his evaluations of traditional culture, together with One Hundred Years Of Solitude and Jung's "Archetype Essays," have produced an influence that cannot be underestimated on contemporary literary circles enveloped in "the trend of searching for roots." Like a great number of my contemporaries, I enjoy his writing a great deal, and must read every one of his books that I encounter. However, after just having read A Discussion of the History of Ancient Chinese Thought and Volume One of The History of Chinese Aesthetics, I have suddenly felt that these works aren't to my taste. Is the May Fourth New Culture Movement's thorough negation of traditio...