南加州的菲律宾节日

Mary Talusan
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Presented as an uncivilized people in need of American tutelage, this stereotyping of Filipinos as primitives motivated pensionados or students from the Philippines to represent themselves; they organized Rizal Day starting in 1905, which valorized national Philippine hero José Rizal, in order to highlight their identity as modern, educated people. New immigrants, who were mostly rural, single men from the northern Philippines, arrived in the 1930s and frequented taxi dance halls in which Filipino jazz musicians and dancers flourished. Yet the established Filipino community criticized these venues as places of vice that were lacking in family and traditional cultural values. Philippine folk dances were not prevalent among Filipino Americans until after the Philippine Bayanihan Folk Dance Company appeared on the Ed Sullivan Show in 1958. Due to their influence, Filipino American folk dance troupes were established across the nation, presenting Philippine cultures through stylistically diverse dances such as the Indigenous or Tribal suite, the Muslim or “Moro” suite, and the Maria Clara or Spanish-influenced suite. Folk dance performance became a hallmark of festivals such as the Philippine Folk Festival, which has been held annually in San Diego since 1979 (renamed the Philippine Cultural Arts Festival in 1996). In Los Angeles, the Festival of Philippine Arts and Culture began in 1992, attracting thousands from around the region. These large-scale public Filipino festivals in southern California offer opportunities to gain insight into the variety of ways in which Filipino Americans creatively express a range of experiences, interests, and concerns. 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引用次数: 0

摘要

南加州的菲律宾节日(也称“菲律宾节日”)是一个充满活力的活动,吸引了多代和多元文化的人群来享受美食,参与传统游戏和工艺品,购买菲律宾人的骄傲装备,并观看各种展示菲律宾裔美国人才华和创造力的表演。来自该地区各地的菲律宾人(包括移民、在美国出生和跨国的人)聚集在一起,表达他们作为一个在美国被忽视和边缘化的民族的自豪感,并提高他们的知名度。菲律宾人在美国的第一次公开表演是在1904年圣路易斯世界博览会(St. Louis World 's Fair)上,由殖民地官员策划的展览中,目的是证明殖民菲律宾的合理性。菲律宾人被描绘成一个需要美国监护的不文明民族,这种对菲律宾人原始人的刻板印象促使来自菲律宾的养老金领取者或学生代表自己;他们从1905年开始组织黎刹日,纪念菲律宾民族英雄约瑟·黎刹,以突出他们作为受过教育的现代人的身份。新移民大多来自菲律宾北部的农村单身男子,他们于20世纪30年代来到这里,经常光顾出租车舞厅,那里盛产菲律宾爵士音乐家和舞者。然而,已建立的菲律宾社区批评这些场所是缺乏家庭和传统文化价值观的邪恶场所。菲律宾民间舞蹈在菲律宾裔美国人中并不流行,直到1958年菲律宾巴亚尼汉民间舞蹈团出现在埃德沙利文秀上。由于他们的影响,菲律宾裔美国人的民间舞蹈团在全国各地建立起来,通过不同风格的舞蹈,如土著或部落组舞,穆斯林或“摩洛”组舞,以及玛丽亚克拉拉或西班牙影响的组舞,展示菲律宾文化。民间舞蹈表演成为节日的标志,如菲律宾民俗节,自1979年以来每年在圣地亚哥举行(1996年更名为菲律宾文化艺术节)。在洛杉矶,菲律宾艺术文化节始于1992年,吸引了来自该地区的数千人。这些在南加州举行的大型公共菲律宾节日提供了机会,让我们深入了解菲律宾裔美国人创造性地表达一系列经历、兴趣和关切的各种方式。虽然民间舞蹈团和传统音乐合奏团,如受西班牙影响的rondalla(弹拨弦乐器)最明显地与菲律宾传统的代表联系在一起,但说唱歌手,dj,口语艺术家,嘻哈舞蹈团队,R&B歌手和摇滚乐队展示了菲律宾人对美国流行形式的掌握。菲律宾节日起源于20世纪初的社区庆祝活动,21世纪初的菲律宾节日反映了加州菲律宾社区的变化和连续性,这些社区已经适应了内部动态,更大的社会力量,并与菲律宾的祖国联系在一起。
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Filipino Festivals in Southern California
Filipino festivals (also “Philippine festivals”) in southern California are lively, dynamic events that draw multigenerational and multicultural crowds to enjoy food, partake in traditional games and crafts, buy Filipino pride gear, and watch a variety of acts that showcase the talent and creativity of Filipino Americans. Inclusive of those who identify as immigrant, U.S.-born, and transnational, Filipinos from across the region convene to express pride and promote visibility as an overlooked and marginalized ethnic group in the United States. The first public performances by Filipinos in the United States were in exhibits curated by colonial officials at the St. Louis World’s Fair in 1904 to justify colonization of the Philippines. Presented as an uncivilized people in need of American tutelage, this stereotyping of Filipinos as primitives motivated pensionados or students from the Philippines to represent themselves; they organized Rizal Day starting in 1905, which valorized national Philippine hero José Rizal, in order to highlight their identity as modern, educated people. New immigrants, who were mostly rural, single men from the northern Philippines, arrived in the 1930s and frequented taxi dance halls in which Filipino jazz musicians and dancers flourished. Yet the established Filipino community criticized these venues as places of vice that were lacking in family and traditional cultural values. Philippine folk dances were not prevalent among Filipino Americans until after the Philippine Bayanihan Folk Dance Company appeared on the Ed Sullivan Show in 1958. Due to their influence, Filipino American folk dance troupes were established across the nation, presenting Philippine cultures through stylistically diverse dances such as the Indigenous or Tribal suite, the Muslim or “Moro” suite, and the Maria Clara or Spanish-influenced suite. Folk dance performance became a hallmark of festivals such as the Philippine Folk Festival, which has been held annually in San Diego since 1979 (renamed the Philippine Cultural Arts Festival in 1996). In Los Angeles, the Festival of Philippine Arts and Culture began in 1992, attracting thousands from around the region. These large-scale public Filipino festivals in southern California offer opportunities to gain insight into the variety of ways in which Filipino Americans creatively express a range of experiences, interests, and concerns. While folk dance troupes and traditional music ensembles such as Spanish-influenced rondalla (plucked string instruments) are most visibly tied to representations of Philippine traditions, rappers, DJs, spoken word artists, hip-hop dance crews, R&B singers, and rock bands demonstrate Filipinos’ mastery of American popular forms. With origins in community celebrations since the early 1900s, Filipino festivals of the early 21st century reflect changes and continuities in California’s Filipino communities, which have adapted to internal dynamics, larger societal forces, and engagement with the homeland of the Philippines.
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