{"title":"在美国,这把刷子用来擦去忧虑的锈","authors":"Kurt L. Garrett","doi":"10.1080/10417948309372578","DOIUrl":null,"url":null,"abstract":"In eighteenth‐century America adventurous solo actors occasionally performed monologues and songs. The epitomie of this genre in the 1790s was The Brush for Rubbing off the Rust of Care. Although actors performed The Brush throughout the states, they found it to be of particular advantage in the North. It was most dramatically used in Boston, home of a strong anti‐theatre law and of actively hostile magistrates. There it helped one actor gain control of the theatre.","PeriodicalId":234061,"journal":{"name":"Southern Speech Communication Journal","volume":"8 1","pages":"0"},"PeriodicalIF":0.0000,"publicationDate":"1983-12-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"1","resultStr":"{\"title\":\"The brush for rubbing off the rust of care in America\",\"authors\":\"Kurt L. Garrett\",\"doi\":\"10.1080/10417948309372578\",\"DOIUrl\":null,\"url\":null,\"abstract\":\"In eighteenth‐century America adventurous solo actors occasionally performed monologues and songs. The epitomie of this genre in the 1790s was The Brush for Rubbing off the Rust of Care. Although actors performed The Brush throughout the states, they found it to be of particular advantage in the North. It was most dramatically used in Boston, home of a strong anti‐theatre law and of actively hostile magistrates. There it helped one actor gain control of the theatre.\",\"PeriodicalId\":234061,\"journal\":{\"name\":\"Southern Speech Communication Journal\",\"volume\":\"8 1\",\"pages\":\"0\"},\"PeriodicalIF\":0.0000,\"publicationDate\":\"1983-12-01\",\"publicationTypes\":\"Journal Article\",\"fieldsOfStudy\":null,\"isOpenAccess\":false,\"openAccessPdf\":\"\",\"citationCount\":\"1\",\"resultStr\":null,\"platform\":\"Semanticscholar\",\"paperid\":null,\"PeriodicalName\":\"Southern Speech Communication Journal\",\"FirstCategoryId\":\"1085\",\"ListUrlMain\":\"https://doi.org/10.1080/10417948309372578\",\"RegionNum\":0,\"RegionCategory\":null,\"ArticlePicture\":[],\"TitleCN\":null,\"AbstractTextCN\":null,\"PMCID\":null,\"EPubDate\":\"\",\"PubModel\":\"\",\"JCR\":\"\",\"JCRName\":\"\",\"Score\":null,\"Total\":0}","platform":"Semanticscholar","paperid":null,"PeriodicalName":"Southern Speech Communication Journal","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.1080/10417948309372578","RegionNum":0,"RegionCategory":null,"ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"","JCRName":"","Score":null,"Total":0}
The brush for rubbing off the rust of care in America
In eighteenth‐century America adventurous solo actors occasionally performed monologues and songs. The epitomie of this genre in the 1790s was The Brush for Rubbing off the Rust of Care. Although actors performed The Brush throughout the states, they found it to be of particular advantage in the North. It was most dramatically used in Boston, home of a strong anti‐theatre law and of actively hostile magistrates. There it helped one actor gain control of the theatre.