通过JSRB-UPSI与FSRD-ISBI的视觉艺术展览“Dalam Bingkai”进行文化分享

M. Ramli, Rofidah Musa, Norkhaizatul Erma Mohd Khairuddin, N. Basiron
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引用次数: 0

摘要

艺术作品的文化分享和视觉艺术的创作可以通过艺术参与的展览和展示来表达。艺术展览可以促进人们对视觉艺术文化的欣赏和理解。通过视觉艺术领域的课程,艺术与设计系、艺术、计算机与创意产业学院(FSKIK)与印尼文化艺术学院(ISBI)设计与设计学院(FSRD)合作,为艺术与创作提供灵感。“达拉姆冰开”视觉艺术展将内在感性因素对艺术品构建的影响联系起来。形成艺术文化贡献项目,实现领域共享的方式和机制。本文分享的客观性是由于对艺术传递的了解,更喜欢风格,并根据艺术需求获得经验。本文探讨了视觉艺术的基本方面和艺术基本实践需求的延伸。文章还对艺术作品建构的语用因素进行了探讨。视觉艺术的质量论辩的反思关系到艺术作品的质量,从而开启对成功的接受和关注的影响。对文化共享的理解可以与艺术创作中的逻辑思维和意识感知联系起来。视觉实践的概念与观察的因素有关,这些因素需要通过艺术家的感知来定义。该方法涉及到艺术作品收藏在展览空间,表明在UPSI艺术画廊呈现的内容。指定的策展人将视觉描述表达到艺术品制作的现实中。观察过程促进了实地记录、访谈、照片和录像等数据基础。对视觉艺术的元素和原则的理解在技术上意味着指导。展览为期四天,旨在影响“大漠冰开”主题的意义。从艺术家的角度来看,通过艺术理解的集体视觉艺术展览和文化节目有助于摆脱压力。
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Cultural Sharing Through Visual Art Exhibition ‘Dalam Bingkai’ by JSRB-UPSI with FSRD-ISBI
The cultural sharing of artworks and the creation of visual art can be expressed through exhibitions and demonstrations of artistic involvement. The artistic exhibitions can facilitate the factors of appreciation and understanding of visual art culture. Through the field of visual arts program, artworks and creation was inspired by the Department of Art and Design, Faculty of Art, Computers and Creative Industry (FSKIK) in collaboration with the Faculty of Design and Design (FSRD), Indonesian Institute of Cultural Arts, Bandung (ISBI). The ‘Dalam Bingkai’ Visual Art Exhibition associates the influence of internal sensible factors on the construction of an artwork. Art and cultural contribution programs are generated to achieve the field-sharing approach and mechanism. The objectivity towards this article sharing is due to the knowledge of the artistic delivery in preferring the style and gaining the experiences based on the artwork requirements. The article addresses the inquiries related to the fundamental aspect of visual art and the extension of artistic fundamental practice demands. The article is also based on an exploration of the pragmatic factors of the artwork construction. The quality of the visuals art argument of reflection related to the quality of the artwork that opens up the success of the impact upon the acceptance and attention. The understanding of the cultural sharing can be associated with logical thinking and the perception of awareness in the artwork making. The concept of visual practice is related to the factors of observation that need to be defined through the perception of the artist. The methodology relates to the artwork collection in exhibition space that indicates the content in presenting at UPSI Art Gallery. The appointed exhibition curators express the visual description into the reality of the artwork making. The observation processes promote the data based such as from field notes, interviews, photos and video recordings. The understanding of the elements and principles of visual arts technically meant as guidance. The duration of the exhibition was four (4) days aimed at the impact of the subject of ‘Dalam Bingkai’ meaning. Visual art exhibitions and cultural programs through a collective of an artistic understanding contribute to the stress-free condition from the artist perspective.
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