玛格丽特·卡文迪什的《诗歌与幻想》和托马斯·哈里奥特的《无限论》

B. J. Sokol
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引用次数: 3

摘要

玛格丽特·卡文迪什可能是最早把自己塑造成作家的女性之一。她在学术上的认可一直令人不安,但是,正如这些文章旨在表明的那样,她自己的高飞幻想是她话语的自我合法化基础,而不是自我专注或缺乏方法。
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Margaret Cavendish’s Poems and Fancies and Thomas Harriot’s Treatise on Infinity
Margaret Cavendish was probably one of the first women to fashion herself as an author. Her scholarly acceptance has been uneasy, but, as these essays aim to show, rather than self-absorbed or lacking in method, her own high-flying Phancies are the self-legitimating grounds of her discourse.
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