墨西拿海峡的神话、地理和人种学

C. Connors
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引用次数: 0

摘要

在《奥德赛》第12卷的结尾,在他的最后一批部下因为杀死并吃掉了太阳之牛而被宙斯送进了水里的坟墓之后,奥德修斯危险地抓住了一棵无花果树的树枝,树枝悬在巨大的漩涡卡吕布狄斯的深渊之上。当他准备离开喀耳刻的时候,她警告他,他需要从住在山洞里的狗女人“锡拉”和漩涡“卡瑞布狄斯”之间经过,唯一的生存方法就是避开漩涡,这样“锡拉”就带走了他的六个人,事情就这样发生了。现在,他从太阳岛回来,又一次进入了狭窄的海峡。他的船的碎片从漩涡中浮出,他从无花果树上掉下来,被宙斯藏起来,不让锡拉知道,然后漂流到卡里普索岛,开始了为期九天的航行。自古以来,好奇的人们就把荷马的故事映射到现实世界中。伊达山俯瞰特洛伊平原。伊萨卡、皮洛斯、克里特岛和埃塞俄比亚都是真实存在的地方。斯特拉博认为荷马是地理知识的宝库,他观察到当荷马提到几个地方时,这些地方都是在空间意义上正确组织起来的(1.2.20)。数字项目《绘制船舶目录》(Clay, Evans, Jasnow, n.d.)生动地展示了“空间助记符”,该助记符在为远征特洛伊而集结的希腊船只目录中组织了地理知识的展示。有时,诗歌和地方之间的关系并不那么直接:尼罗河口的法罗斯可以在荷马的描述中得到认可
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Myth, Geography, and Ethnography at the Strait of Messina
At the end of Book 12 of the Odyssey, after the last of his men have been dispatched by Zeus to a watery grave for killing and eating the Cattle of the Sun, Odysseus clings perilously to a branch of a fig tree overhanging the abyss of the monstrous whirlpool Charybdis. As he had prepared to depart from Circe, she warned him he would need to pass between the cave-dwelling dog-woman Scylla and the whirlpool Charybdis, and that the only way to survive was to avoid the whirlpool and thus let Scylla snatch up six of his men, and so it transpired. Now, his return from the island of the Sun brings him again into their narrow strait. Pieces of his ship emerge from the whirlpool, he drops down onto them from the fig tree, is kept hidden by Zeus from Scylla, and floats away on his nine-day voyage to Calypso’s island. Since antiquity, inquiring minds have mapped Homeric narrative onto the real world. Mount Ida overlooks the Trojan plain. Ithaca, Pylos, Crete and Ethiopia are real places. Strabo understands Homer as a repository of geographical knowledge, observing that when Homer mentions several places, these are correctly organized in a spatial sense (1.2.20). The digital project Mapping the Catalogue of Ships (Clay, Evans, Jasnow, n.d.) graphically demonstrates the “spatial mnemonic” that organizes the display of geographical knowledge in the catalogue of Greeks ships assembling for the expedition against Troy. Sometimes the relation between poem and place is less straightforward: Pharos at the mouth of the Nile could arguably be recognized in Homer’s account of the
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