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引用次数: 0

摘要

符号学指的是一种知识传统,它研究在各种文本、各种模式中创造和解释意义的过程。然而,符号学从未被纳入主流学科结构。由于这种边缘地位,符号学倾向在主要学科之外和学科之间蓬勃发展。作为一门学科,符号学显得渺小、脆弱和过时。但作为一个广泛的知识传统,符号学可以被视为包含文学理论的元理论。第二种观点使符号学对文学读者更有用,因此在本章中予以强调。当符号学被视为一个复杂的、异质的领域,具有模糊的边界和与文学对象和理论的生产性纠缠时,符号学的价值就会得到增强。“符号学”来自希腊语semeion(符号、预兆或痕迹),指的是一些重要的、通常是隐藏的含义。在这个意义上,符号超越了文字和口头媒介。这种范围赋予了“符号学”一种根本性的颠覆性。现代西方文化的基础是语言作为一切意义和思想的载体。符号学是对这种支配地位的激进挑战。符号学看到符号和意义无处不在,在每一种模式中,而不仅仅是在文字中。过去和现在文学媒介的变化为文学理论提出了许多符号学问题。诗歌总是通过声音和文字传达意义。戏剧需要表演。电影和多媒体在新的语境中扮演着印刷小说的角色。在多媒体的21世纪,文学已经超越了文字,文学理论需要符号学维度。符号学有一段分裂的历史,有两位创始人。皮尔斯强调复杂性和流程,索绪尔强调结构。1960年以前,结构主义占主导地位,但到20世纪末,后结构主义占了上风。符号学转入地下,但它参与的知识革命的痕迹无处不在。它帮助引发了整个社会科学对意义的转向,并颂扬了现代世界文学和生活中形式和意义的不可简化的复杂性和多样性。
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Semiotics
Semiotics refers to an intellectual tradition that deals with processes of making and interpreting meaning in all kinds of text, in all modes. However, semiotics was never integrated into mainstream disciplinary structures. Because of this marginal status semiotic tendencies flourished outside and between the major disciplines. As a discipline semiotics seems small, vulnerable and out-of-date. But as a broad intellectual tradition semiotics can be seen as a meta-theory which encompasses literary theory. This second perspective makes semiotics more useful for literary readers, and hence is emphasized in this chapter. Semiotics’ value is enhanced when it is seen as a complex, heterogeneous field with fuzzy boundaries and productive entanglements with literary objects and theories. “Semiotics” comes from Greek semeion (sign, omen, or trace), something that points towards important, often hidden meanings. Signs in this sense go beyond words and verbal media. This scope gives “semiotics” a radically disruptive quality. Western culture in the modern era has been based on the primacy of words as carriers of all meaning and thought. Semiotics is the site of a radical challenge to this dominance. Semiotics sees signs and meanings everywhere, in every mode, not just in words. The changing media of literature in the present and past raise many semiotic issues for literary theory. Poetry always carried meanings through sound as well as words. Drama needs to be performed. Film and multimedia carry the role of print fiction in new contexts. In the multimedia 21st century, literature has gone beyond writing, and its theories need a semiotic dimension. Semiotics has a divided history, with two founding fathers. Peirce emphasized complexity and flow, and Saussure emphasized structure. Before 1960 structuralism dominated, but by the end of the 20th century post-structuralism prevailed. Semiotics went underground, but left traces everywhere of the intellectual revolution it participated in. It helped to trigger the turn to meaning across the social sciences and celebrated the irreducible complexity and diversity of forms and meanings in literature and life in the modern world.
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