来自禁闭的模因

David Divita
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引用次数: 0

摘要

模因被描述为“(后)现代民间传说”的文本形式(Shifman, 2014: 5)。照片或短视频,它们突出了当前的文化现象,并通过社交媒体平台上的人际分享呈指数级传播。为了写这篇文章,我创建了一个表情包语料库,这些表情包是在2020年3月,也就是美国为应对COVID-19大流行而发布全州封锁令的头几周内流传的。利用Bakthin(1981)的时位概念,我分析了这些模因的一个子集,这些模因专门针对禁闭中的时间体验,阐明了两个相互关联的趋势:现在时间秩序的破坏和后见之明的时位投影,在这种情况下,现在被解决为过去。通过详细的文本分析,我表明模因揭示了一种广泛的迷失感和一种通过对时空领域的想象来减轻这种迷失感的必然冲动。我认为,这种按时预测可以作为对暂时但深刻的不确定性的反应,在这种情况下,这种不确定性是由处于初期阶段的公共卫生危机造成的。
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Memes from confinement
Memes have been described as textual forms of “(post)modern folklore” (Shifman, 2014: 5). Photos or short videos, they highlight current cultural phenomena, and they spread exponentially through person-to-person sharing on social media platforms. For this article, I created a corpus of memes that circulated in March 2020, during the first weeks after statewide lockdown orders were issued in the U.S. in response to the COVID-19 pandemic. Drawing on Bakthin’s (1981) concept of the chronotope, I analyze a subset of these memes that specifically addressed the experience of time in confinement, illuminating two interrelated trends: the disruption of temporal order in the present and the projection of chronotopes of hindsight in which this present gets resolved as past. Through detailed textual analysis, I show that the memes reveal both a widespread sense of disorientation and a corollary impulse to mitigate it through the imagination of spatiotemporal realms. I argue that such chronotopic projections can serve as a response to temporary but profound uncertainty, caused in this case by the public health crisis in its initial stages.
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