{"title":"来自禁闭的模因","authors":"David Divita","doi":"10.1075/lcs.22003.div","DOIUrl":null,"url":null,"abstract":"\n Memes have been described as textual forms of “(post)modern folklore” (Shifman, 2014: 5). Photos or short videos, they highlight current cultural phenomena, and they spread exponentially\n through person-to-person sharing on social media platforms. For this article, I created a corpus of memes that circulated in March\n 2020, during the first weeks after statewide lockdown orders were issued in the U.S. in response to the COVID-19 pandemic. Drawing\n on Bakthin’s (1981) concept of the chronotope, I analyze a subset of these memes that\n specifically addressed the experience of time in confinement, illuminating two interrelated trends: the disruption of temporal\n order in the present and the projection of chronotopes of hindsight in which this present gets resolved as past. Through detailed\n textual analysis, I show that the memes reveal both a widespread sense of disorientation and a corollary impulse to mitigate it\n through the imagination of spatiotemporal realms. I argue that such chronotopic projections can serve as a response to temporary\n but profound uncertainty, caused in this case by the public health crisis in its initial stages.","PeriodicalId":252896,"journal":{"name":"Language, Culture and Society","volume":"148 1","pages":"0"},"PeriodicalIF":0.0000,"publicationDate":"2022-11-25","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"0","resultStr":"{\"title\":\"Memes from confinement\",\"authors\":\"David Divita\",\"doi\":\"10.1075/lcs.22003.div\",\"DOIUrl\":null,\"url\":null,\"abstract\":\"\\n Memes have been described as textual forms of “(post)modern folklore” (Shifman, 2014: 5). Photos or short videos, they highlight current cultural phenomena, and they spread exponentially\\n through person-to-person sharing on social media platforms. For this article, I created a corpus of memes that circulated in March\\n 2020, during the first weeks after statewide lockdown orders were issued in the U.S. in response to the COVID-19 pandemic. Drawing\\n on Bakthin’s (1981) concept of the chronotope, I analyze a subset of these memes that\\n specifically addressed the experience of time in confinement, illuminating two interrelated trends: the disruption of temporal\\n order in the present and the projection of chronotopes of hindsight in which this present gets resolved as past. Through detailed\\n textual analysis, I show that the memes reveal both a widespread sense of disorientation and a corollary impulse to mitigate it\\n through the imagination of spatiotemporal realms. I argue that such chronotopic projections can serve as a response to temporary\\n but profound uncertainty, caused in this case by the public health crisis in its initial stages.\",\"PeriodicalId\":252896,\"journal\":{\"name\":\"Language, Culture and Society\",\"volume\":\"148 1\",\"pages\":\"0\"},\"PeriodicalIF\":0.0000,\"publicationDate\":\"2022-11-25\",\"publicationTypes\":\"Journal Article\",\"fieldsOfStudy\":null,\"isOpenAccess\":false,\"openAccessPdf\":\"\",\"citationCount\":\"0\",\"resultStr\":null,\"platform\":\"Semanticscholar\",\"paperid\":null,\"PeriodicalName\":\"Language, Culture and Society\",\"FirstCategoryId\":\"1085\",\"ListUrlMain\":\"https://doi.org/10.1075/lcs.22003.div\",\"RegionNum\":0,\"RegionCategory\":null,\"ArticlePicture\":[],\"TitleCN\":null,\"AbstractTextCN\":null,\"PMCID\":null,\"EPubDate\":\"\",\"PubModel\":\"\",\"JCR\":\"\",\"JCRName\":\"\",\"Score\":null,\"Total\":0}","platform":"Semanticscholar","paperid":null,"PeriodicalName":"Language, Culture and Society","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.1075/lcs.22003.div","RegionNum":0,"RegionCategory":null,"ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"","JCRName":"","Score":null,"Total":0}
Memes have been described as textual forms of “(post)modern folklore” (Shifman, 2014: 5). Photos or short videos, they highlight current cultural phenomena, and they spread exponentially
through person-to-person sharing on social media platforms. For this article, I created a corpus of memes that circulated in March
2020, during the first weeks after statewide lockdown orders were issued in the U.S. in response to the COVID-19 pandemic. Drawing
on Bakthin’s (1981) concept of the chronotope, I analyze a subset of these memes that
specifically addressed the experience of time in confinement, illuminating two interrelated trends: the disruption of temporal
order in the present and the projection of chronotopes of hindsight in which this present gets resolved as past. Through detailed
textual analysis, I show that the memes reveal both a widespread sense of disorientation and a corollary impulse to mitigate it
through the imagination of spatiotemporal realms. I argue that such chronotopic projections can serve as a response to temporary
but profound uncertainty, caused in this case by the public health crisis in its initial stages.