10. 电影迷的颤栗?作为材料思维的录像电影研究实践

Catherine A. Grant
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引用次数: 8

摘要

本章仔细考虑了视听散文家的实践,反映了主体性、文本性和技术的主题。格兰特是一位电影学者,在过去的十年里,他开始制作、撰写和出版关于电影和媒体研究主题的创造性批判性数字视频论文,这些论文使用了所研究电影的片段,以及来自现有媒体的其他动态图像/声音。她的章节考察了围绕视听散文的批判和理论线索,因为它属于散文电影的传统,因为它属于更广泛的创造性实践领域。她还认为,她的在线实践作为研究的一些观赏性含义。
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10. The Shudder of a Cinephiliac Idea? Videographic Film Studies Practice as Material Thinking
This chapter carefully considers the practice of the audio-video essayist, reflecting on the topics of subjectivity, textuality, and technology. Grant is a film scholar who, in the last ten years, has begun to produce, write about, and publish creative-critical digital-video essays on film and media studies subjects, essays that use footage from the films studied, as well as other moving image/sounds from existing media. Her chapter examines the critical and theoretical threads that surround the audiovisual essay as it belongs to the tradition of the essay film and as it belongs to the broader realm of creative practice. She also thinks through some of the spectatorial implications of her online practice as research.
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Frontmatter 4. ‘Every love story is a ghost story’ : The Spectral Network of Laurie Anderson’s Heart of a Dog (2015) Acknowledgments 2. To Attain the Text. But Which Text? 7. Rethinking the Human, Rethinking the Essay Film : The Ecocritical Work of The Pearl Button
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