{"title":"10. 电影迷的颤栗?作为材料思维的录像电影研究实践","authors":"Catherine A. Grant","doi":"10.1515/9789048543922-012","DOIUrl":null,"url":null,"abstract":"This chapter carefully considers the practice of the audio-video essayist,\n reflecting on the topics of subjectivity, textuality, and technology. Grant\n is a film scholar who, in the last ten years, has begun to produce, write\n about, and publish creative-critical digital-video essays on film and media\n studies subjects, essays that use footage from the films studied, as well as\n other moving image/sounds from existing media. Her chapter examines\n the critical and theoretical threads that surround the audiovisual essay\n as it belongs to the tradition of the essay film and as it belongs to the\n broader realm of creative practice. She also thinks through some of the\n spectatorial implications of her online practice as research.","PeriodicalId":162972,"journal":{"name":"Beyond the Essay Film","volume":"36 1","pages":"0"},"PeriodicalIF":0.0000,"publicationDate":"2014-01-28","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"8","resultStr":"{\"title\":\"10. The Shudder of a Cinephiliac Idea? Videographic Film Studies Practice as Material Thinking\",\"authors\":\"Catherine A. Grant\",\"doi\":\"10.1515/9789048543922-012\",\"DOIUrl\":null,\"url\":null,\"abstract\":\"This chapter carefully considers the practice of the audio-video essayist,\\n reflecting on the topics of subjectivity, textuality, and technology. Grant\\n is a film scholar who, in the last ten years, has begun to produce, write\\n about, and publish creative-critical digital-video essays on film and media\\n studies subjects, essays that use footage from the films studied, as well as\\n other moving image/sounds from existing media. Her chapter examines\\n the critical and theoretical threads that surround the audiovisual essay\\n as it belongs to the tradition of the essay film and as it belongs to the\\n broader realm of creative practice. She also thinks through some of the\\n spectatorial implications of her online practice as research.\",\"PeriodicalId\":162972,\"journal\":{\"name\":\"Beyond the Essay Film\",\"volume\":\"36 1\",\"pages\":\"0\"},\"PeriodicalIF\":0.0000,\"publicationDate\":\"2014-01-28\",\"publicationTypes\":\"Journal Article\",\"fieldsOfStudy\":null,\"isOpenAccess\":false,\"openAccessPdf\":\"\",\"citationCount\":\"8\",\"resultStr\":null,\"platform\":\"Semanticscholar\",\"paperid\":null,\"PeriodicalName\":\"Beyond the Essay Film\",\"FirstCategoryId\":\"1085\",\"ListUrlMain\":\"https://doi.org/10.1515/9789048543922-012\",\"RegionNum\":0,\"RegionCategory\":null,\"ArticlePicture\":[],\"TitleCN\":null,\"AbstractTextCN\":null,\"PMCID\":null,\"EPubDate\":\"\",\"PubModel\":\"\",\"JCR\":\"\",\"JCRName\":\"\",\"Score\":null,\"Total\":0}","platform":"Semanticscholar","paperid":null,"PeriodicalName":"Beyond the Essay Film","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.1515/9789048543922-012","RegionNum":0,"RegionCategory":null,"ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"","JCRName":"","Score":null,"Total":0}
10. The Shudder of a Cinephiliac Idea? Videographic Film Studies Practice as Material Thinking
This chapter carefully considers the practice of the audio-video essayist,
reflecting on the topics of subjectivity, textuality, and technology. Grant
is a film scholar who, in the last ten years, has begun to produce, write
about, and publish creative-critical digital-video essays on film and media
studies subjects, essays that use footage from the films studied, as well as
other moving image/sounds from existing media. Her chapter examines
the critical and theoretical threads that surround the audiovisual essay
as it belongs to the tradition of the essay film and as it belongs to the
broader realm of creative practice. She also thinks through some of the
spectatorial implications of her online practice as research.