“典型环境下的典型人物”:多萝西·休伊特和露丝·帕克的贫民窟小说

R. Paul
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摘要

在这篇文章中,我比较了露丝·帕克的《南方的竖琴》(1948)和多萝西·休伊特的《Bobbin Up》(1959)两部小说中对劳动人民的描绘,以及随后对他们对悉尼贫民窟生活的描绘中现实主义的批评辩论。我认为,休伊特的作品更具阶级意识和煽动性,而朴槿惠的小说则通过她对性别、阶级和种族交织结构的意识,以更深层次的交叉方式活跃起来。虽然休伊特的小说在女工的罢工中达到高潮,但朴槿惠揭示了更多的个人生存策略,这些策略构成了她所描绘的工人阶级生活的一部分。因此,我引用弗里德里希·恩格斯(Friedrich Engels)关于“典型环境下的典型人物”的批评观点,认为虽然两位作家都试图捕捉工人阶级的基本经验,但在朴槿惠的小说中,无论是从文学现实主义还是隐含的激进政治角度来看,这一点都做得更成功。
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‘Typical characters under typical circumstances’: The Slum Fiction of Dorothy Hewett and Ruth Park
In this article I compare the representation of working people in two novels, Ruth Park’s The Harp in the South (1948) and Dorothy Hewett’s Bobbin Up (1959), as well as the ensuing critical debate about realism in their depictions of slum life in Sydney. I show that while Hewett’s work is more class-conscious and agitational, Park’s novel comes alive in deeper intersectional ways through her awareness of the interwoven structures of gender, class and race. Although Hewett’s novel culminates in a strike by women mill workers, Park reveals more of the individual strategies of survival that form part of the working-class lives she portrays. Thus, using Friedrich Engels’ critical point about ‘typical characters under typical circumstances’, I argue that while both writers try to capture the fundamental experience of working-class people, this is more successfully done in Park’s novel, both in terms of its literary realism and implicit radical politics.
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