策划一个无限的地下室:了解人们如何管理情感文物的收藏

Jasmine Jones, M. Ackerman
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引用次数: 15

摘要

有价值的记忆越来越多地被捕获并以数字文物的形式存储。然而,当人们收集这些数字纪念品时,由于内容的数量,所涉及的努力以及普遍缺乏动机,他们的收藏很少被策划,这可能导致重要的文物随着时间的推移在内容的积累中被模糊和遗忘。我们的研究旨在更好地理解人们处理大型收藏品的挑战和目标,并深入了解人们如何选择和关注大型数字纪念品收藏品。我们对UnclutterNow.com上的论坛数据进行了解释分析,参与者讨论了他们在策划家中情感文物时面临的问题。我们发现了一些社会、时间和空间的启示和关注,这些启示和关注影响着人们整理记忆的方式,并讨论了整理如何与人们如何在家中使用存储和展示紧密联系在一起。在我们的研究中,我们将“策展制度”作为人们制定的模式,将注意力集中在他们收藏的文物上。最后,我们讨论了记忆文物的设计机会,它支持和促进了用户在日常生活中管理数字纪念品的策展过程。
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Curating an Infinite Basement: Understanding How People Manage Collections of Sentimental Artifacts
Valuable memories are increasingly captured and stored as digital artifacts. However, as people amass these digital mementos, their collections are rarely curated, due to the volume of content, the effort involved, and a general lack of motivation, which can result in important artifacts being obscured and forgotten in an accumulation of content over time. Our study aims to better understand the challenges and goals of people dealing with large collections, and to provide insight into how people select and pay attention to large collections of digital mementos. We conducted an interpretivist analysis of forum data from UnclutterNow.com, where participants discussed issues they face in curating the sentimental artifacts in their homes. We uncovered a number of social, temporal, and spatial affordances and concerns that influence the ways that people curate their memories, and discuss how curation is closely tied to how people use storage and display in their home. In our study, we drew out and unpack "curation regimes" as patterns that people enact to focus the attention they are able to pay to the artifacts in their collections. We close with a discussion of the design opportunities for memory artifacts, which support and facilitate the curatorial processes of users managing digital mementos in everyday life.
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