陀思妥耶夫斯基《作家日记》中的“金袋”隐喻

Olga N. Smyslova
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摘要

本文探讨陀思妥耶夫斯基《作家日记》中金钱主题艺术表现的独特性。本文指出陀思妥耶夫斯基的新闻风格的特点是使用隐喻作为一个艺术术语,可以准确地指定当前现实的现象,并给予社会,文化或哲学的解释。这些隐喻概念(“土壤”、“大地”、“根”、“黄金时代”、“金袋”等)在作者的新闻报道中通常来自俄罗斯文化中普遍存在的稳定的意识形态、习语或神话,但又获得了新的含义。本文的作者认为,“金袋”的隐喻是在《作家日记》中讨论物质崇拜问题的文章中使用的,这种现象渗透到19世纪70年代俄罗斯社会的各个阶层。陀思妥耶夫斯基借用了著名的成语“金袋子”,从它对“非常富有的人”的固定定义开始,创造了一个金钱、利润和贪婪的隐喻形象,获得了现代人的权力,然后同义地让我们更接近“金牛犊”的成语,这在《作家日记》中没有出现。
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The Metaphor “Golden Bag” in “A Writer’s Diary” by F. M. Dostoevsky
The article is devoted to the peculiarity of artistic expression of the theme of money in “A Writer’s Diary” by F. M. Dostoevsky. The article indicates that Dostoevsky’s journalistic style is characterized by the use of metaphor as an artistic term that can accurately designate the phenomena of current reality and give them a social, cultural or philosophical interpretation. Such metaphorical concepts (“soil,” “earth,” “roots,” “golden age,” “golden bag,” etc.) in the writer’s journalism usually grow out of stable ideologemes, idioms or mythologemes universal for Russian culture, but acquire new meanings. The author of the article determines that the metaphor “golden bag” is used in those essays of “A Writer’s Diary” which discuss the problem of the cult of material goods, which penetrated all strata of Russian society of the 1870s. Dostoevsky, appealing to the well-known idiom “golden bag,” starts from its fixed definition of a “very rich man,” creates a metaphorical image of money, profit and greed, gaining power over modern man, then synonymously brings us closer to the idiom of the “golden calf,” which is not represented in “A Writer’s Diary.”
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