{"title":"Warhol’s Empire","authors":"Noël Carroll","doi":"10.36019/9780813599625-030","DOIUrl":null,"url":null,"abstract":"This chapter provides an interpretation of Andy Warhol’s eight-hour film Empire which excavates some of the philosophical themes that film advances in a way that can be considered to be an instance of movie made philosophy.","PeriodicalId":127698,"journal":{"name":"Arthur Danto's Philosophy of Art: Essays","volume":"41 1","pages":"0"},"PeriodicalIF":0.0000,"publicationDate":"2019-12-31","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"1","resultStr":null,"platform":"Semanticscholar","paperid":null,"PeriodicalName":"Arthur Danto's Philosophy of Art: Essays","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.36019/9780813599625-030","RegionNum":0,"RegionCategory":null,"ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"","JCRName":"","Score":null,"Total":0}
This chapter provides an interpretation of Andy Warhol’s eight-hour film Empire which excavates some of the philosophical themes that film advances in a way that can be considered to be an instance of movie made philosophy.
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