礼服a La francaise和礼服l ' odalisque:穿着凡尔赛玫瑰的女性服装

Emerald L. King
{"title":"礼服a La francaise和礼服l ' odalisque:穿着凡尔赛玫瑰的女性服装","authors":"Emerald L. King","doi":"10.1386/scp_00034_1","DOIUrl":null,"url":null,"abstract":"The androgynous heroine of Ikeda Ryoko’s manga The Rose of Versailles (1972‐73), Oscar Françoise de Jarjayes, is usually depicted in masculine, specifically military, attire. The sixth daughter of an important military colonel during the reign of Louis XV\n and Louis XVI, Oscar is raised as a son and follows her father into the military. Oscar is only ever depicted in one dress, known as the robe l’odalisque ‐ a gown that is adopted at a pivotal moment of character development. It is while wearing this dress, which Ikeda intended\n to serve as a wedding dress, that Oscar comes to terms with her unrequited love for Marie Antoinette’s lover, Count Axel von Fersen. In doing so, Oscar places more importance on her allegiance to France than to romance. This article investigates the complicated gender and social politics\n that are symbolized by the choice to wear women’s clothing in The Rose of Versailles.","PeriodicalId":273630,"journal":{"name":"Studies in Costume & Performance","volume":"35 1","pages":"0"},"PeriodicalIF":0.0000,"publicationDate":"2021-06-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"1","resultStr":"{\"title\":\"La Robe à la Française et la Robe l’Odalisque: Wearing women’s clothing in The Rose of Versailles\",\"authors\":\"Emerald L. King\",\"doi\":\"10.1386/scp_00034_1\",\"DOIUrl\":null,\"url\":null,\"abstract\":\"The androgynous heroine of Ikeda Ryoko’s manga The Rose of Versailles (1972‐73), Oscar Françoise de Jarjayes, is usually depicted in masculine, specifically military, attire. The sixth daughter of an important military colonel during the reign of Louis XV\\n and Louis XVI, Oscar is raised as a son and follows her father into the military. Oscar is only ever depicted in one dress, known as the robe l’odalisque ‐ a gown that is adopted at a pivotal moment of character development. It is while wearing this dress, which Ikeda intended\\n to serve as a wedding dress, that Oscar comes to terms with her unrequited love for Marie Antoinette’s lover, Count Axel von Fersen. In doing so, Oscar places more importance on her allegiance to France than to romance. This article investigates the complicated gender and social politics\\n that are symbolized by the choice to wear women’s clothing in The Rose of Versailles.\",\"PeriodicalId\":273630,\"journal\":{\"name\":\"Studies in Costume & Performance\",\"volume\":\"35 1\",\"pages\":\"0\"},\"PeriodicalIF\":0.0000,\"publicationDate\":\"2021-06-01\",\"publicationTypes\":\"Journal Article\",\"fieldsOfStudy\":null,\"isOpenAccess\":false,\"openAccessPdf\":\"\",\"citationCount\":\"1\",\"resultStr\":null,\"platform\":\"Semanticscholar\",\"paperid\":null,\"PeriodicalName\":\"Studies in Costume & Performance\",\"FirstCategoryId\":\"1085\",\"ListUrlMain\":\"https://doi.org/10.1386/scp_00034_1\",\"RegionNum\":0,\"RegionCategory\":null,\"ArticlePicture\":[],\"TitleCN\":null,\"AbstractTextCN\":null,\"PMCID\":null,\"EPubDate\":\"\",\"PubModel\":\"\",\"JCR\":\"\",\"JCRName\":\"\",\"Score\":null,\"Total\":0}","platform":"Semanticscholar","paperid":null,"PeriodicalName":"Studies in Costume & Performance","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.1386/scp_00034_1","RegionNum":0,"RegionCategory":null,"ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"","JCRName":"","Score":null,"Total":0}
引用次数: 1

摘要

池田良子的漫画《凡尔赛玫瑰》(1972 - 73)中雌雄同体的女主角奥斯卡·弗朗索瓦兹·德·贾耶斯通常被描绘成男性化的服装,特别是军装。奥斯卡是路易十五和路易十六统治时期一位重要军事上校的第六个女儿,她被当作儿子抚养长大,并跟随父亲进入军队。奥斯卡只被描绘成穿着一件礼服,被称为长袍l 'odalisque -在角色发展的关键时刻采用的礼服。正是在穿着这件池田打算用作结婚礼服的礼服时,奥斯卡接受了她对玛丽·安托瓦内特的情人阿克塞尔·冯·费森伯爵的单恋。在这样做的过程中,奥斯卡更重视她对法国的忠诚,而不是浪漫。本文考察了《凡尔赛玫瑰》中女性服饰的选择所象征的复杂的性别和社会政治。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
查看原文
分享 分享
微信好友 朋友圈 QQ好友 复制链接
本刊更多论文
La Robe à la Française et la Robe l’Odalisque: Wearing women’s clothing in The Rose of Versailles
The androgynous heroine of Ikeda Ryoko’s manga The Rose of Versailles (1972‐73), Oscar Françoise de Jarjayes, is usually depicted in masculine, specifically military, attire. The sixth daughter of an important military colonel during the reign of Louis XV and Louis XVI, Oscar is raised as a son and follows her father into the military. Oscar is only ever depicted in one dress, known as the robe l’odalisque ‐ a gown that is adopted at a pivotal moment of character development. It is while wearing this dress, which Ikeda intended to serve as a wedding dress, that Oscar comes to terms with her unrequited love for Marie Antoinette’s lover, Count Axel von Fersen. In doing so, Oscar places more importance on her allegiance to France than to romance. This article investigates the complicated gender and social politics that are symbolized by the choice to wear women’s clothing in The Rose of Versailles.
求助全文
通过发布文献求助,成功后即可免费获取论文全文。 去求助
来源期刊
自引率
0.00%
发文量
0
期刊最新文献
Agentic Aharya: Vibrant masks from South Asia Unfolding a vision embedded in a garment: Three tools from a toolbox for generating performance from costume design The Costume Maker’s Companion Critical Costume 2020: Investigating costume agency Shoe Reels: The History and Philosophy of Footwear in Film, Elizabeth Ezra and Catherine Wheatley (Eds) (2020)
×
引用
GB/T 7714-2015
复制
MLA
复制
APA
复制
导出至
BibTeX EndNote RefMan NoteFirst NoteExpress
×
×
提示
您的信息不完整,为了账户安全,请先补充。
现在去补充
×
提示
您因"违规操作"
具体请查看互助需知
我知道了
×
提示
现在去查看 取消
×
提示
确定
0
微信
客服QQ
Book学术公众号 扫码关注我们
反馈
×
意见反馈
请填写您的意见或建议
请填写您的手机或邮箱
已复制链接
已复制链接
快去分享给好友吧!
我知道了
×
扫码分享
扫码分享
Book学术官方微信
Book学术文献互助
Book学术文献互助群
群 号:481959085
Book学术
文献互助 智能选刊 最新文献 互助须知 联系我们:info@booksci.cn
Book学术提供免费学术资源搜索服务,方便国内外学者检索中英文文献。致力于提供最便捷和优质的服务体验。
Copyright © 2023 Book学术 All rights reserved.
ghs 京公网安备 11010802042870号 京ICP备2023020795号-1