于先生的梦想家和地下英雄。莱蒙托夫和陀思妥耶夫斯基:从乌赫托姆斯基的伦理学说看

Elena A. Fedorova, Victoria V. Lyubarets
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摘要

本文以宗教思想家乌赫托姆斯基的伦理教育为基础,追溯和理解莱蒙托夫和陀思妥耶夫斯基小说中“梦想家”和“地下英雄”类型的发展。莱蒙托夫创造了艺术家卢金作为一个梦想家的形象(“Stoss”),在克拉辛斯基和佩乔林(“利戈夫斯卡娅公主”)的性格特征中,出现了地下英雄的特征。在陀思妥耶夫斯基的作品中,梦想家不仅出现在《白夜》中,还出现在《小英雄》、《涅托奇卡·涅兹瓦诺娃》中。陀思妥耶夫斯基的小说《地下笔记》和小说《少年》中都描写了“地下英雄”。两位作家的梦想家都沉浸在文学、音乐、戏剧的世界里,这发展了他们的想象力。然而,陀思妥耶夫斯基的人物与莱蒙托夫的人物不同,他们能够做出行为并影响现实。
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The Dreamer and the Underground Hero of M. Yu. Lermontov and F. M. Dostoevsky in the Light of the Ethical Teachings of A. A. Ukhtomsky
Based on the ethical teaching of the religious thinker A. A. Ukhtomsky, the article traces and comprehends the development of the type of the Dreamer and Underground Hero in Lermontov and Dostoevsky’s stories and novels. Lermontov creates the image of the artist Lugin as a Dreamer (“Stoss”), and in the character traits of Krasinsky and Pechorin (“Princess Ligovskaya”), the features of the Underground Hero appear. In the work of Dostoevsky, the Dreamer appears not only in the story “White Nights,” but also in the story “Little Hero,” the story “Netochka Nezvanova.” The Underground Hero of Dostoevsky is depicted in the story “Notes from the Underground” and the novel “The Teenager.” The dreamers of both writers are immersed in the world of literature, music, theater, which develops their imagination. However, the characters of Dostoevsky, unlike Lermontov’s one, are able to commit an act and influence reality.
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