{"title":"爵士和谐:进展报告","authors":"C. Stover","doi":"10.14713/JJS.V10I2.89","DOIUrl":null,"url":null,"abstract":"The aims of this essay are twofold. On one level, it is a careful look at three recent textbooks on jazz theory. On another level, it extrapolates from its status as a review to consider what jazz theory is today.","PeriodicalId":331183,"journal":{"name":"Journal of Jazz Studies","volume":null,"pages":null},"PeriodicalIF":0.0000,"publicationDate":"1900-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"6","resultStr":"{\"title\":\"Jazz Harmony: A Progress Report\",\"authors\":\"C. Stover\",\"doi\":\"10.14713/JJS.V10I2.89\",\"DOIUrl\":null,\"url\":null,\"abstract\":\"The aims of this essay are twofold. On one level, it is a careful look at three recent textbooks on jazz theory. On another level, it extrapolates from its status as a review to consider what jazz theory is today.\",\"PeriodicalId\":331183,\"journal\":{\"name\":\"Journal of Jazz Studies\",\"volume\":null,\"pages\":null},\"PeriodicalIF\":0.0000,\"publicationDate\":\"1900-01-01\",\"publicationTypes\":\"Journal Article\",\"fieldsOfStudy\":null,\"isOpenAccess\":false,\"openAccessPdf\":\"\",\"citationCount\":\"6\",\"resultStr\":null,\"platform\":\"Semanticscholar\",\"paperid\":null,\"PeriodicalName\":\"Journal of Jazz Studies\",\"FirstCategoryId\":\"1085\",\"ListUrlMain\":\"https://doi.org/10.14713/JJS.V10I2.89\",\"RegionNum\":0,\"RegionCategory\":null,\"ArticlePicture\":[],\"TitleCN\":null,\"AbstractTextCN\":null,\"PMCID\":null,\"EPubDate\":\"\",\"PubModel\":\"\",\"JCR\":\"\",\"JCRName\":\"\",\"Score\":null,\"Total\":0}","platform":"Semanticscholar","paperid":null,"PeriodicalName":"Journal of Jazz Studies","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.14713/JJS.V10I2.89","RegionNum":0,"RegionCategory":null,"ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"","JCRName":"","Score":null,"Total":0}
The aims of this essay are twofold. On one level, it is a careful look at three recent textbooks on jazz theory. On another level, it extrapolates from its status as a review to consider what jazz theory is today.