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引用次数: 0
摘要
这篇联合文章借鉴了艺术实践,展示了与自然的关系如何在具体化的体验和共鸣中表达关怀和互惠的仪式。它讨论了通过挑战我们形成联系的习惯过程来实践与自然的同情互动的积极方法。本文围绕着多米尼克·弗莱施曼《土壤的触摸》中动物实验的开发模式和科学中情感知识和联系的缺乏展开;在celine s diaz的《触感景观》(Palpating Landscape)中,倡导对土壤的关注,作为对景观包容性的仪仪性延伸。通过创造性的写作、理论反思和摄影媒介,两者都揭示了对以人为中心的观察和参与自然世界及其居民的深切关注,并倡导更广泛的机构,在关怀中采取行动。本文发现了重叠的问题,表明了在我们与自然的关系中,责任的两种实践,即同理心和关怀,越来越重要。这些脆弱的行为理解了破坏性的暂时性,并提出了一个更友善但同样相关的信息:“我在乎”。
This joint article draws on artistic practices that showcase how relations to nature can articulate rituals of care and reciprocity in embodied experiences and sympoesis. It discusses active approaches to practicing sympathetic interaction with Nature by challenging our habitual processes of forming connection. The paper revolves around modes of exploitation in animal experiments and the lack of emotional knowledge and connection in science, in The Touch ofSoil by Dominik Fleischmann; and advocates for attention to soil, in Palpating Landscape by celine s diaz, as ritualistic extension of inclusiveness for thelandscape. Through creative writing, theoretic reflection and the photographic medium, both unravel deep concerns for the human-centred approach of viewing and engaging with the natural world and its habitants and advocate for a broader agency, action invoked in caring. Finding overlapping questions, this paper shows two practices of responsibility as empathy and care are evermore significant in our relationship with nature. These vulnerable acts comprehenddisruptive temporalities and propose a kinder but equally relevant message: “I care”.