世界上的家:泰戈尔的《查图兰加》中的人和地方

K. Mitra
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引用次数: 0

摘要

文学中有一种倾向,将乡村环境诗意化,而不是城市环境,这是基于这样一种命题:乡村使人类更接近自然,而城市介于两者之间。在小说和诗歌中,在城市环境中产生和加剧的问题往往在更乡村的氛围中得到解决。泰戈尔在1916年的中篇小说《查图兰加》(Chaturanga)中似乎挑战了这种普遍倾向。故事从加尔各答开始,搬到孟加拉农村,然后回到城市。他的叔叔,也是他的父亲,哲学家和导师,死后,萨吉什从加尔各答消失了。两年后,当他的朋友和故事的叙述者Sribilash在一个村庄找到他时,Sachish加入了一个名为Leelananda Swami的所谓神秘主义者。他也变得面目全非。斯里比拉什对自己的转变感到震惊,不信任利兰南达·斯瓦米,但他不能抛弃他的朋友,所以他也加入了古鲁。他似乎也抛弃了旧的自己,全神贯注地沉浸在一个新的、虚幻的世界里。只有当他回到城市时,斯里比拉什才似乎从恍惚中醒来,摆脱了虚假的皮肤;他怀念或成为他以前的努力和有用的自己。然而,萨吉的人生之路被不可逆转地改变了。在这篇论文中,我希望研究泰戈尔,他以如此多的不同形式写了成千上万行赞美自然,为什么以及如何在这篇文章中描绘了自然与人类之间明显的鸿沟:当人们在城市中时,他们扎根于现实,从事有意义的活动;可以说,当他们置身于大自然的怀抱中时,他们似乎变成了迷失方向的逃避者。我还会提到一个重要的事实,即这些人物在失去亲人后就会退休,在村庄里度过他们的哀悼期,他们回到加尔各答与他们生活中出现的新恋情密切相关。本文将探讨在这个特殊的文本中,人和地方似乎是如何相互影响的,以及它们意味着什么。
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A Home in the World: People and Places in Rabindranath Tagore’s Chaturanga
There is a tendency in literature to poeticise rural settings over their urban counterparts based on the proposition that villages bring human beings closer to nature, whereas cities come between them. Problems born and accentuated in urban environments are often, in fiction and poetry, resolved in a more rural atmosphere. In his 1916 novella Chaturanga, Rabindranath Tagore seems to challenge this popular inclination. The story begins in Calcutta, moves to rural Bengal and then returns to the city. After his uncle, who was also his father-figure, philosopher and guide, dies, Sachish disappears from Calcutta. When his friend and the narrator of the text, Sribilash, finds him two years later in a village, Sachish has joined a so-called mystic named Leelananda Swami. He has also changed unrecognisably. Sribilash is shocked at his transformation and is distrustful of Leelananda Swami, but he cannot abandon his friend, so he too, joins the guru. He too seems to leave behind his old self and becomes engrossed and entranced in a new, unreal world. It is only when he returns to the city that Sribilash seems to come out of his trance and shake off the false skin; he misses or becomes his former hard-working and useful self again. Sachish’s path, however, is irrevocably changed. In this paper, I wish to examine why and how Tagore, who wrote so many thousands of lines in so many different forms eulogising nature, depicted an apparent divide between nature and human beings in this text: when the men are in the city, they are grounded in reality and engaged in meaningful activity; when they are in the lap of nature, so to speak, they seem to become disoriented escapists. I will also address the importance of the fact that these characters retire froity when they are bereaved and spend their mourning period in the villages, and that their return to Calcutta is closely linked to the appearance of a new love interest in their lives. The paper will explore how, in this particular text, people and places seem to affect each other and what they signify.
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