{"title":"加利西亚-沃利尼亚公国的音乐艺术","authors":"B. Kindratiuk","doi":"10.30525/978-9934-588-72-3.12","DOIUrl":null,"url":null,"abstract":"The essays are an unprecedented collection of systematized materials on musical art of Galician-Volhynian Principality. The music of this period is its significant but uninvestigated historic stage, which contributed to the development of Ukrainian music after the collapse of Kyiv state. Folk art, instrumental culture, music in princes’ and towns’ everyday life, church chant, chiming art are analysed.","PeriodicalId":148674,"journal":{"name":"MODERN CULTURE STUDIES AND ART HISTORY: AN EXPERIENCE OF UKRAINE AND EU","volume":"76 1","pages":"0"},"PeriodicalIF":0.0000,"publicationDate":"1900-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"0","resultStr":"{\"title\":\"MUSICAL ART OF THE GALICIAN-VOLYNIAN PRINCIPALITY\",\"authors\":\"B. Kindratiuk\",\"doi\":\"10.30525/978-9934-588-72-3.12\",\"DOIUrl\":null,\"url\":null,\"abstract\":\"The essays are an unprecedented collection of systematized materials on musical art of Galician-Volhynian Principality. The music of this period is its significant but uninvestigated historic stage, which contributed to the development of Ukrainian music after the collapse of Kyiv state. Folk art, instrumental culture, music in princes’ and towns’ everyday life, church chant, chiming art are analysed.\",\"PeriodicalId\":148674,\"journal\":{\"name\":\"MODERN CULTURE STUDIES AND ART HISTORY: AN EXPERIENCE OF UKRAINE AND EU\",\"volume\":\"76 1\",\"pages\":\"0\"},\"PeriodicalIF\":0.0000,\"publicationDate\":\"1900-01-01\",\"publicationTypes\":\"Journal Article\",\"fieldsOfStudy\":null,\"isOpenAccess\":false,\"openAccessPdf\":\"\",\"citationCount\":\"0\",\"resultStr\":null,\"platform\":\"Semanticscholar\",\"paperid\":null,\"PeriodicalName\":\"MODERN CULTURE STUDIES AND ART HISTORY: AN EXPERIENCE OF UKRAINE AND EU\",\"FirstCategoryId\":\"1085\",\"ListUrlMain\":\"https://doi.org/10.30525/978-9934-588-72-3.12\",\"RegionNum\":0,\"RegionCategory\":null,\"ArticlePicture\":[],\"TitleCN\":null,\"AbstractTextCN\":null,\"PMCID\":null,\"EPubDate\":\"\",\"PubModel\":\"\",\"JCR\":\"\",\"JCRName\":\"\",\"Score\":null,\"Total\":0}","platform":"Semanticscholar","paperid":null,"PeriodicalName":"MODERN CULTURE STUDIES AND ART HISTORY: AN EXPERIENCE OF UKRAINE AND EU","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.30525/978-9934-588-72-3.12","RegionNum":0,"RegionCategory":null,"ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"","JCRName":"","Score":null,"Total":0}
The essays are an unprecedented collection of systematized materials on musical art of Galician-Volhynian Principality. The music of this period is its significant but uninvestigated historic stage, which contributed to the development of Ukrainian music after the collapse of Kyiv state. Folk art, instrumental culture, music in princes’ and towns’ everyday life, church chant, chiming art are analysed.
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