{"title":"皮埃尔·弗朗斯特尔与乔治·迪迪-休伯曼:从1890年美术总展看理论家对绘画作品的思考","authors":"Cintya dos Santos Callado","doi":"10.22533/at.ed.929332330039","DOIUrl":null,"url":null,"abstract":"","PeriodicalId":136331,"journal":{"name":"Arts, Linguistics, Literature and Language Research Journal","volume":"14 1","pages":"0"},"PeriodicalIF":0.0000,"publicationDate":"2023-03-30","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"0","resultStr":"{\"title\":\"PIERRE FRANCASTEL AND GEORGES DIDI-HUBERMAN: A DIALOGUE BETWEEN THEORISTS TO THINK ABOUT PAINTING WORKS FROM THE GENERAL EXHIBITION OF FINE ARTS OF 1890\",\"authors\":\"Cintya dos Santos Callado\",\"doi\":\"10.22533/at.ed.929332330039\",\"DOIUrl\":null,\"url\":null,\"abstract\":\"\",\"PeriodicalId\":136331,\"journal\":{\"name\":\"Arts, Linguistics, Literature and Language Research Journal\",\"volume\":\"14 1\",\"pages\":\"0\"},\"PeriodicalIF\":0.0000,\"publicationDate\":\"2023-03-30\",\"publicationTypes\":\"Journal Article\",\"fieldsOfStudy\":null,\"isOpenAccess\":false,\"openAccessPdf\":\"\",\"citationCount\":\"0\",\"resultStr\":null,\"platform\":\"Semanticscholar\",\"paperid\":null,\"PeriodicalName\":\"Arts, Linguistics, Literature and Language Research Journal\",\"FirstCategoryId\":\"1085\",\"ListUrlMain\":\"https://doi.org/10.22533/at.ed.929332330039\",\"RegionNum\":0,\"RegionCategory\":null,\"ArticlePicture\":[],\"TitleCN\":null,\"AbstractTextCN\":null,\"PMCID\":null,\"EPubDate\":\"\",\"PubModel\":\"\",\"JCR\":\"\",\"JCRName\":\"\",\"Score\":null,\"Total\":0}","platform":"Semanticscholar","paperid":null,"PeriodicalName":"Arts, Linguistics, Literature and Language Research Journal","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.22533/at.ed.929332330039","RegionNum":0,"RegionCategory":null,"ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"","JCRName":"","Score":null,"Total":0}
PIERRE FRANCASTEL AND GEORGES DIDI-HUBERMAN: A DIALOGUE BETWEEN THEORISTS TO THINK ABOUT PAINTING WORKS FROM THE GENERAL EXHIBITION OF FINE ARTS OF 1890