{"title":"戏剧、生态和帝国的基础靛蓝的戏剧","authors":"Sukanya Banerjee","doi":"10.5422/fordham/9780823282128.003.0002","DOIUrl":null,"url":null,"abstract":"By reading a mid–nineteenth-century Bengali play about indigo cultivation, Neel Darpan, this essay argues for the salience of drama—an overlooked form in Victorian studies—to ecocritical discussions. The essay also considers how the irreducibly ecological nature of colonialism recalibrates our analytical objects and impulses. In bringing ecology together with drama, the essay arrives at an idiom of “groundedness” as a critical imperative for ecologically minded scholarship, not least on empire.","PeriodicalId":213745,"journal":{"name":"Ecological Form","volume":"1 1","pages":"0"},"PeriodicalIF":0.0000,"publicationDate":"2018-12-04","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"1","resultStr":"{\"title\":\"Drama, Ecology, and the Ground of Empire The Play of Indigo\",\"authors\":\"Sukanya Banerjee\",\"doi\":\"10.5422/fordham/9780823282128.003.0002\",\"DOIUrl\":null,\"url\":null,\"abstract\":\"By reading a mid–nineteenth-century Bengali play about indigo cultivation, Neel Darpan, this essay argues for the salience of drama—an overlooked form in Victorian studies—to ecocritical discussions. The essay also considers how the irreducibly ecological nature of colonialism recalibrates our analytical objects and impulses. In bringing ecology together with drama, the essay arrives at an idiom of “groundedness” as a critical imperative for ecologically minded scholarship, not least on empire.\",\"PeriodicalId\":213745,\"journal\":{\"name\":\"Ecological Form\",\"volume\":\"1 1\",\"pages\":\"0\"},\"PeriodicalIF\":0.0000,\"publicationDate\":\"2018-12-04\",\"publicationTypes\":\"Journal Article\",\"fieldsOfStudy\":null,\"isOpenAccess\":false,\"openAccessPdf\":\"\",\"citationCount\":\"1\",\"resultStr\":null,\"platform\":\"Semanticscholar\",\"paperid\":null,\"PeriodicalName\":\"Ecological Form\",\"FirstCategoryId\":\"1085\",\"ListUrlMain\":\"https://doi.org/10.5422/fordham/9780823282128.003.0002\",\"RegionNum\":0,\"RegionCategory\":null,\"ArticlePicture\":[],\"TitleCN\":null,\"AbstractTextCN\":null,\"PMCID\":null,\"EPubDate\":\"\",\"PubModel\":\"\",\"JCR\":\"\",\"JCRName\":\"\",\"Score\":null,\"Total\":0}","platform":"Semanticscholar","paperid":null,"PeriodicalName":"Ecological Form","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.5422/fordham/9780823282128.003.0002","RegionNum":0,"RegionCategory":null,"ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"","JCRName":"","Score":null,"Total":0}
Drama, Ecology, and the Ground of Empire The Play of Indigo
By reading a mid–nineteenth-century Bengali play about indigo cultivation, Neel Darpan, this essay argues for the salience of drama—an overlooked form in Victorian studies—to ecocritical discussions. The essay also considers how the irreducibly ecological nature of colonialism recalibrates our analytical objects and impulses. In bringing ecology together with drama, the essay arrives at an idiom of “groundedness” as a critical imperative for ecologically minded scholarship, not least on empire.
京公网安备 11010802042870号
京ICP备2023020795号-1
分享
求助内容：
应助结果提醒方式：
扫码关注我们
