马来西亚槟城昌发仔大厦的环境及风水应用

A. Bahauddin, Teh Boon Soon
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摘要

风水,字面上翻译为风和水,是中国传统建筑理论的一部分。其理念旨在实现自然、建筑和人之间的和谐平衡。它继续用于住宅选址和建筑布局以及环境规划,特别是在形式学派风水学派中。它侧重于场地分析,景观和建筑布局,强调与自然和环境的设计。这种风水方法可以追溯到槟城乔治城独特的建筑——昌发仔府土生华人风格的建筑设计。它融合了中国、马来和殖民时期的建筑风格。不幸的是,这座大厦还没有被证实与风水方法有关的建筑与自然,尽管有人声称它的应用和其他相同风格的建筑。本研究探讨了这座建筑的文化敏感性,并将其作为拥抱自然的风水应用的案例研究。采用定性分析来确定这座豪宅的设计是否符合Form School方法中所述的环境中有利的建筑条件。所采用的方法包括测量图纸,土生华人文化的人种学研究,与确定的风水大师和豪宅主人的访谈。大厦的建筑设计符合从形式学校方法改编的哲学,特别是在建筑语言上。这种一致性进一步解决了在追求基于风水重要性的可持续设计方法方面的挑战和机遇,涉及到最低限度地使用能源和利用自然通风和自然采光。风水形式学校的方法显著地展示了建筑与环境之间的相互关系,特别是在槟城的土生华人建筑中。
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THE ENVIRONMENT AND FENG SHUI APPLICATION IN CHEONG FATT TZE MANSION, PENANG, MALAYSIA
Feng Shui, literarily translated as wind and water, forms part of the Chinese traditional architecture theory. The philosophy aims to achieve harmonious equilibrium among nature, buildings and people. It continues to be used in dwelling site selections and layout of buildings as well as in the environmental planning, especially in the Form School Feng Shui school of thought. It focuses on site analysis, landscapes and building placements with emphasis on designing with nature and the environment. This Feng Shui approach can be traced in the building design of the Peranakan style architecture of Cheong Fatt Tze Mansion, a unique architecture in George Town, Penang. It is a mix of Chinese, Malay and colonial building styles. Unfortunately, this mansion has not been verified with the Feng Shui approach in relating the architecture with nature, despite a claim that was made of its application and for other buildings of the same style. This study addresses the cultural sensitivity of this architecture as a case study in embracing nature for its Feng Shui application. Qualitative analysis was employed to determine whether the design of this mansion corresponded well with favourable architectural conditions placed in the environment as stated in the Form School approach. The method applied included measured drawings, ethnography study of the Peranakan culture, interviews with identified Feng Shui masters and the mansion’s owners. The mansion’s architectural design conformed to the philosophy adapted from the Form School approach, especially in the architectural language. The conformity further addresses challenges and opportunities in pursuing the sustainable design approach based on the significance of Feng Shui, pertaining to the minimum use of energy and exploitation of natural ventilation and natural lighting. The Feng Shui Form School approach has significantly demonstrated the interrelationships between the architecture and the environment, specifically in this Peranakan architecture of Penang.
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