{"title":"尼采作品中罪恶的一面:莎士比亚的《理查二世》预示了罪恶,布莱希特的《人与人平等及所采取的措施》具体化了罪恶","authors":"Mariem Khmiri","doi":"10.1007/978-3-030-76055-7_10","DOIUrl":null,"url":null,"abstract":"","PeriodicalId":299210,"journal":{"name":"Performativity of Villainy and Evil in Anglophone Literature and Media","volume":"14 1","pages":"0"},"PeriodicalIF":0.0000,"publicationDate":"1900-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"0","resultStr":"{\"title\":\"Villainy as a Facet of Nietzsche’s Wirkliche Historie Prefigured in Shakespeare’s Richard II and Concretized in Brecht’s Man Equals Man and the Measures Taken\",\"authors\":\"Mariem Khmiri\",\"doi\":\"10.1007/978-3-030-76055-7_10\",\"DOIUrl\":null,\"url\":null,\"abstract\":\"\",\"PeriodicalId\":299210,\"journal\":{\"name\":\"Performativity of Villainy and Evil in Anglophone Literature and Media\",\"volume\":\"14 1\",\"pages\":\"0\"},\"PeriodicalIF\":0.0000,\"publicationDate\":\"1900-01-01\",\"publicationTypes\":\"Journal Article\",\"fieldsOfStudy\":null,\"isOpenAccess\":false,\"openAccessPdf\":\"\",\"citationCount\":\"0\",\"resultStr\":null,\"platform\":\"Semanticscholar\",\"paperid\":null,\"PeriodicalName\":\"Performativity of Villainy and Evil in Anglophone Literature and Media\",\"FirstCategoryId\":\"1085\",\"ListUrlMain\":\"https://doi.org/10.1007/978-3-030-76055-7_10\",\"RegionNum\":0,\"RegionCategory\":null,\"ArticlePicture\":[],\"TitleCN\":null,\"AbstractTextCN\":null,\"PMCID\":null,\"EPubDate\":\"\",\"PubModel\":\"\",\"JCR\":\"\",\"JCRName\":\"\",\"Score\":null,\"Total\":0}","platform":"Semanticscholar","paperid":null,"PeriodicalName":"Performativity of Villainy and Evil in Anglophone Literature and Media","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.1007/978-3-030-76055-7_10","RegionNum":0,"RegionCategory":null,"ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"","JCRName":"","Score":null,"Total":0}
Villainy as a Facet of Nietzsche’s Wirkliche Historie Prefigured in Shakespeare’s Richard II and Concretized in Brecht’s Man Equals Man and the Measures Taken