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引用次数: 9
摘要
Keith Salley和Dan Shanahan的《标准爵士曲目中的乐句节奏:分类和语料库研究》反映了Steven Strunk的一些学术兴趣。作者鼓励读者思考Strunk开创性的“早期Bop的和谐”文章(JJS 6.1)结尾的分层分析是如何与他们的贡献中讨论的过程一致、不同或不同的。此外,Salley和Shanahan对标准爵士曲调的广泛风格调查与斯特伦克的作品产生了明显的共鸣,特别是他的“爵士剧目中的线性音程模式”(ARJS 8)和他在新格罗夫爵士词典中的“和声”条目。
Phrase Rhythm in Standard Jazz Repertoire: A Taxonomy and Corpus Study
Keith Salley and Dan Shanahan’s “Phrase Rhythm in Standard Jazz Repertoire: A Taxonomy and Corpus Study” reflects a number of Steven Strunk's scholarly interests. The authors encourage readers to consider how the layered analyses at the end of Strunk’s seminal “Harmony of Early Bop” article ( JJS 6.1) agree, depart from, or inform the processes discussed in their contribution. Furthermore, Salley and Shanahan’s broad stylistic survey of standard jazz tunes resonates notably with Strunk’s work—particularly his “Linear Intervallic Patterns in Jazz Repertory” ( ARJS 8) and his entry on “Harmony” in the New Grove Dictionary of Jazz .