旅程的感知和感知方式是本·查希尔的脚跟

فاطمة محمد السويدي
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卡塔尔大学阿拉伯语言艺术与科学学院副教授法特玛·穆罕默德·索瓦迪博士诗歌意象一直是诗歌创作中存在的问题,但它却是诗人独特之处的标志。这个隐藏的秘密在于,即使诗人的世界完全是他自己的,它仍然具有许多意义。因此,本研究的目的在于界定卡阿卜·伊本·祖海尔诗歌意象模式的界限,因为他的隐喻和形象绝非随意的。相反,它们形成了和谐的模式,构建了人类对Ka'ab的体验和认知感知。此外,他们还展示了诗人如何创造他对僵硬的物质主义的哑巴形象的感知,以及他如何将它们转化为一个生动的诗意意象世界。同时也反映了他的经验和观念的真实本质,反映了他对生命和存在意义的不断探索,也反映了他对叛逆自我的不断探索。本研究包括以下主题:意象模式的概念、自我与旅程的意象模式与时空框架、猎人与猎物的意象模式、女性的意象模式
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النسق التصوري والإدراك المتمثل للرحلة في شعر كعب بن زهير
The Imagistic Pattern and Perception of the Journey in the Poetry of Ka’ab bin Zuhair Dr. Fatma Mohammed Al Sowaidi Associate Professor at the Department of Arabic Language College of Arts and Sciences, Qatar University Although the poetic image has always been problematic in poetry, it has been the mark of the poet's uniqueness. This hidden secret lies in the fact that even if the poet’s world is totally his own, it still holds many meanings. Therefore, the objective of this study is to define the borderlines of the imagistic pattern in the poetry of Ka’ab ibn Zuhair, for his metaphors and figures are far from random. Rather, they form harmonious patterns that build the human experience and cognitive perception of Ka'ab. Additionally, they show how the poet created his perceptions of rigid materialistic dumb images and how he converted them into a lively world of poetic imagery. Furthermore, they reflect the true essence of his experience and notions, his constant search for the meaning of his life and existence, and his constant search for his rebellious self. The study includes the following topics: - The concept of the imagistic pattern - The imagistic pattern and spacio-temporal framework of the self and the journey - The imagistic pattern of the hunter and the preys - The imagistic pattern of the female
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