表演早期现代诽谤:扩大表演的边界

C. Egan
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引用次数: 0

摘要

摘要:本文主要研究17世纪初在星宫法院审理的省级个人诽谤案。诽谤者将个人丑闻创造性地以诗歌、视觉符号或模拟仪式的形式表达出来,并在早期的现代社会中被阅读、歌唱和张贴。这篇文章确定了一系列诽谤的“方式”,并将诽谤的“舞台剧”与一套诽谤的模拟宣言和一本扑克牌无赖的“书”进行了比较。这篇文章认为,诽谤应该被理解为在一系列表现上发挥作用。因此,它们应该促使扩大早期表现的界限。
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Performing Early Modern Libel: Expanding the Boundaries of Performance
Abstract:This essay focuses on provincial libel cases between private individuals tried at the court of Star Chamber during the early seventeenth century. Libelling saw personal scandals creatively couched in verses, visual symbols, or mock-ceremonies, and read, sung, and posted in early modern communities. This essay identifies a range of 'manners' of libel, and compares a libellous 'Stage plaie' to a set of libellous mock-proclamations and a 'book' of playing card knaves. The essay argues that libels should be understood as functioning on a spectrum of performance. They should therefore prompt an expansion of the boundaries of early performance.
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