《有色酷儿》中的喜剧

P. Dominguez
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引用次数: 0

摘要

本文探讨酷儿性公众的独特性经济如何塑造黑人酷儿主体性。关注街头的非法经济和黑人同性欲望男性的非法性劳动如何在酷儿性公共场所重叠,有时对从事这种“冒险”性活动的黑人男性构成威胁,本章认为黑人酷儿主体性正是在这些死亡和欲望的时空纠缠中出现的。通过仔细阅读牙买加裔美国同性恋作家g·温斯顿·詹姆斯(G. Winston James)的两篇短篇小说,作者探索了黑人同性恋主角在寻欢作乐时遭遇死亡的文学表现。这是迄今为止第一次对他的作品进行学术研究。作者最终呼吁一种酷儿的阅读实践,它包含死亡的表现,通常是黑人酷儿叙事的核心,与黑人酷儿欲望的表现形成批判的张力。
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The Dramedy in Queer of Color
This essay explores how the distinct sexual economy of queer sex publics shapes black queer subjectivity. Focusing on how the illicit economies of the street and the illicit sexual labor of black same-sex desiring men overlap in queer sex publics, sometimes posing a threat to black men engaging in such “risky” sexual activity, this chapter argues that black queer subjectivity emerges precisely within these spatiotemporal entanglements of death and desire. Through close readings of two short stories by Jamaican-American gay author G. Winston James, the first scholarly treatment of his work to date, the author explores literary representations of black gay protagonists who encounter death while cruising for sex. The author ultimately calls for a queer reading practice that holds representations of death, oftentimes central to black queer narratives, in critical tension with representations of black queer desire.
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