“我们站在这个十字路口。”

Oliver Clifford Pedersen
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引用次数: 1

摘要

人们和社会被他们对未来的想象所引导,被未来可能和应该发生的事情所引导。然而,人们并不总是对想象中的未来的形式、内容或实现途径达成一致。因此,冲突可能会因为一些还不存在的东西而产生。在本文中,我建议将社会表征和替代表征理论与想象的社会文化心理学解释相结合,以探索未来的寻址性,并呼吁更多明确考虑未来在现在中的作用的研究。我借鉴了在法罗群岛进行的对话案例研究,更准确地说,是在苏乌罗伊岛上进行的。法罗群岛的增长正在迅速加速,而苏厄乌罗伊却未能跟上增长的步伐,几十年来一直有移民现象,其人口的相对社会经济状况不断恶化。岛民把目前的局势比作站在十字路口,却无法就必须走哪条道路才能重振日益萎缩的未来达成一致意见。通过分析两种主要的社会表征中的一种如何构建另一种——它的替代表征——我认为,变革对话的缺失源于不相容的未来。此外,根据社会文化心理学的观点,我也试图通过引入Ingolf和Karin来超越社会表征理论固有的同质化力量,他们的故事说明了社会表征和替代表征如何不是统一的共享和制定,而是根据独特的生活经历采取不同的形式。
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“We were at this crossroads”
People and societies are guided by what they imagine to lie beyond the present, by what can and should be the case in the future. Yet people do not always agree about the form, content or path to realisation of a given imagined future. As a result, conflicts can arise over something that does not exist yet. In this paper, I propose to integrate theories of social and alternative representations with a sociocultural psychological interpretation of imagination, in order to explore the addressivity of futures and to call for more studies that explicitly take into account the future’s role in the present. I draw on a dialogical case study that was carried out on the Faroe Islands, more precisely on the island of Suðuroy. Whereas the Faroe Islands are experiencing a rapid acceleration in growth, Suðuroy has failed to keep pace and has witnessed decades of emigration and a worsening of its population’s relative socio-economic situation. Islanders liken the current situation to standing at a crossroads, while being unable to agree on which path must be taken in order to reinvigorate a shrinking future. By analysing how one of the two major social representations constructs the other – its alternative representation – I suggest that the absence of transformative dialogue results from incompatible futures. Furthermore, in line with a sociocultural psychological perspective, I also attempt to move beyond the homogenising force inherent in social representation theory by introducing Ingolf and Karin, whose stories illustrate how social and alternative representations are not uniformly shared and enacted, but take different forms in light of unique life experiences.
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